Parfume d'Empire - Musk Tonkin

Picture: Marlene Dietrich, a worthy wearer of Musk Tonkin
Image source: i006.radikal.ru

Musk Tonkin from Parfume d'Empire was first introduced as a limited parfume edition in 2012. In 2014 an Edp version was launched. Musk Tonkin is created by P d'E founder, perfumer Marc-Antoine Corticchiato. The review will cover both the perfume and the Edp versions.

The concept behind Musk Tonkin is an attempt to recreate the smell of the real animalic musk tonkin  which is derived from the musk deer, using vegetal and syntetical musk replacement.

From the beginning until the end Musk Tonkin is vintage in style, as a 1930s diva in a  biascutted velvety evening gown and a grand furstole. The fragrance starts  dark, heavy, musky flowery, the parfume rounder, smoother and more close to the skin. The Edp is lighter, playing in the higher octaves with some almost citric/fruity notes wich gives the fragrance an  almost sparkling radiance in the first accords. The perfume version goes straight to be a skinscent, and even if close, it's a skinscent with quite a detectable sillage. As the topnotes have vanished, the Edp approach to the parfume and becomes quite similar even if I can discern some minor differences, the parfume is still a notch more dark flowery, a bit more velvety and smooth, the Edp still a bit brighter and sharper. In the middlenotes both versions becomes more musky and also a bit spicy, cumin is defenitely involved but in smaller potions than in Parfums d'Empire Aziyade. Indolic, white flowers interacts with the prominent vegetal musky note, a vegetal musk that reminds me of amberette seeds, hay and almost powdery, light touched barnyard notes. This musky setting, and the image the fragrance creates overall, reminds me to some extent to Parfums MDCI Chypre Palatin.  Maybe the flower in Musk Tonkin is tubereuse as I'm reminded of Miller Harris Noix de Tubereuse when it comes to the integrated, heavy, seamless, indolic flower, musky accord. Musk Tonkin is quite linear in its development, even if  the musk is slightly more prominent in the basenotes, it's still balanced and is not taking over the composition completely. If I would describe Musk Tonkin in one sentence it's: A vegetal musk soliflore.

Picture: Musk Tonkin
Photo by: PR Parfum  d'Empire (c)

 

Musk Tonkin is sometimes described as an animalic, dirty musk. As I havn't smelled real musk tonkin  can't judge  if this vegetal musky smell is also close to the animalic version. As I remember Serge Lutens Muscs Koublaï Khan it's not as musty, less flowery and with more traces of cumin than Musk Tonkin. It's also more animalic even if a discrete interpretation. For those searching for a hardcore, dirty musk, Les Neréidés Fleur Poudreé de Musc could be recommended, Musk Tonkin and its siblings stand out as shy violets compared to this one.
Musk Tonkin is best for the colder month, especially it's good for cold evenings. Sillage is close and longevity great, for 24h at least. Unisex, leaning to the feminine side.

Those who likes fragrances as Mona di Orio Nuit de Noire and Maison Francis Kurkdijan Absolue Pour Le Soir will probably also like Musk Tonkin.

Rating: 5

Notes: Musk

Thans to Fragrance & Art for the sample of Musk Tonkin Edp to test, the parfume  comes from my own sample

Eau d'Italie - Morn to Dusk

Picture: Amor and Psyche, children 
Painting 1890 by
William-Adolphe Bouguereau (1825-1905)
Wikimedia Commons

Morn to Dusk is the latest release from italian nichehouse Eau d'Italie. Morn to Dusk is created by Annick Menardo, the nose behind many sucesses around Y2K for example Dior Hypnotic Poison, Bulgari Black and Lolita Lempicka.As I like Annicks bold style, it's a bit exciting testing a new vanilla from her.

Morn to Dusk starts vanillic, just like fresh baked vanilla bread, right out from the oven. Soon a light, crispy lilylike flowernote appears, similar to an airy lily of the valley. A smooth musky base, not chemical or loud but fluffy like light clouds in the summer sky, anchors the smooth, flowery.vanilla.The fragrance which I'm thinking of when wearing Morn to Dusk is Elie Saab L'Eau Couture  but Morn to Dusk is a smoother and not loud version and without the orangeblossom and characteristic almond of L'Eau Couture. Morn to Dusk is going on like this in a linear and very pleasant drydown and one think this is all. Until in the very late dry down, when I thought the Morn to Dusk had vanished and I suddenly smelled a finetuned oriental, very light gunpowdery, vanillic accord, tinged with the withw flower  but in a deeper and muskier way than before. The fragrance had turned to be almost retro in style in its last phase, something reminding of a smooth and easy version of Lorenzo Villoresi Teint de Neige. The sillage when this beautiful accord appears seems to be wider, and whiffs are diffusing in the room and remaining for some moments in fluffy, angelic clouds.

Morn to Dusk is a very pleasant, straight forward vanilla with floral notes. It's not the thick, boozy vanilla of for example Mona di Orio Les Nombres d'Or Vanille or L'Artisan Parfumeur Havna Vanille (Vanille Absolument), Morn to Dusk is very easy to wear, smooth, angelic, fluffy without no sharp edges. My nine years old daugther just loves Morn to Dusk, with it's soft, vanillic, fluffy, cloudy aura. Thankfully she has'nt approached the Victoria Secrets, which seems to be the regular type of fragrances worn (if/when someone wears something) in her agegroup.

Picture: Morn to Dusk
Photo: PR Eau d'Italie (c)

Morn to Dusk is a very pleasant fragrance when searcing for something cosy but in the same time light and non-offending. It's clean, non-cluttered, seems to be simple in construction and could therefore be misjudged if not worn for several times, taking the time to sniff carefully and evaluating. Morn to Dusk suitable for daytime wear autumn, winter, spring and for grey, rainy summerdays. Sillage is close and longevity for at least a day.

Rating: 5

Notes: Bergamot, freesia, lily of the valley, vanilla, cedarwood, musk

Parfum d'Empire - Osmanthus Interdite

Picture: The northwest corner of the Forbidden City, Beijing, China
Photo: Attribution Charlie Fong, (cc), some rights reserved,
 Wikimedia.com

Osmanthus Interdite by Parfum d'Empire is a fragrance inspirerd from the scents and overall impressions from the imperial gardens in the Forbidden City in Beijing. Like all the high quality Parfum d'Empire fragrances, Osmanthus Interdite is created by the Parfum d'Empire founder,  IPSICA perfumer Marc-Antoine Corticchiato. The review is made from a sample from the latest edition of Osmanthus Intedite, the version in the new bottledesign.

Osmanthus Interdite is fresh, floral, dry chalky fruity matched with light, white tea notes. There is also some deep, almost dark passages, as shadows from the bushes besids the ponds a sunny afternoon in the palace garden. Smooth and very well balanced accents of the osmanthus flower like soft deep apricot, velvety leather as suede and dry fresh haynotes create a sofisticated, pleasant aura around the wearer. The tea notes are smooth without any harsh edges. In the base of Osmanthus Interdite, a pleasant chalky note steps forward, adding a deeper layer to the fragrance. In texture Osmanthus Interdite reminds me of a feather light, almost transparant cashmere shawl worn over an elegant, white, casual chic outfit. Some how Osmanthus Interdite has a calming and meditative effect, it's a relaxing fragrance to wear. Fragrances with the same relaxing and elegant, white aura that comes to my mind (even if not smelling the same) when wearing Osmanthus Interdite is By Kilian Water Calligraphy, Imperial Tea and Bamboo Harmony as also Dior Homme Cologne 2013 version.

Picture: Osmanthus Interdite, new bottle
Photo: PR Parfum d'Empire (c)

Osmanthus Interdite is quite linear in constuction, with its accords flowing back and forth during the dry down of the fragrance. It's discrete with a close sillage, with good longevity, about a day. It's the perfect office fragrance for spring, summer, early autumn but could be worn in any season. As I remember the previous version in the old bottle, I can't detect any differences, probably there is no reformulation in connection with the switch in bottledesign.

Osmanthus Interdite is the osmanthus fragrance that I've experienced so far and I also think it's one of the best tea fragrances on the market.

Rating: 5

Notes: Osmanthus, green tea, apricot, jasmin, rose, fruit, musk, suede

Thanks to Fragrance & Art for the sample to test

Carner Barcelona - Palo Santo

Picture: Palo Santo (Bursera graveolens)
Photo by Haplochromis (cc) some rights
reserved, Wikimedia.com 

Palo Santo is the latest creation of Barcelona based perfume house Carner Barcelona. Palo Santo means holy wood, grows in South America, is related to frankincense, myrrh, copal and is burned as incensesticks. Palo Santo in Catalan is also a fruit, persimmons.

I don't know who the perfumer is which has created Palo Santo, anyway the fragrance starts with the comfortable, likable, gourmand, light sweet-spicy accord which characterize the house of Carner. In Palo Santo rum and a sweet, herbal accord, soon complemented with a smoky vetiver opens the fragrance. The opening and to some extent (se below) reminds me of a gentler and smoother version of Parfumerie Générale Querelle. Palo Santo behaves different in the middlenotes in different wearings. The smoky, a bit sweet vetiver is the dominating accord once I wear it, in another wearing the vetiver is gentler and a green, slight herbal, fizzy accord appears and creates an impression of green, burning incense. When Palo Santo reaches the basenotes it becomes sweeter, it's like smoky slight caramelized vetiver. This first stage of the base reminds me of another great Parfumerie Générale creation; Cédre Sandarque but in a lighter and less extreme form. The more Palo Santo dries down in the basenotes, the more vanilla steps forward and it morph to a nice vanilla supported with the smoky vetiver as a contrast.

Picture: Palo Santo
Photo: PR Carner Barcelona (c)

Palo Santo is a good everyday perfume for the colder months, it's a bit too heavy and sweet for summer, except cold, rainy summerevenings. Palo Santo is strong and has to be applied sparingly, if not it becomes almost cloying. The sillage is medium and longevity for more than a day.

As mentioned above, Paolo Santo has a special contemporary gourmand aura typical for the houses fragrances at least from Rima XI and El Born. The sweet, spicy gourmand vibe was not as present in the first three fragrances of the house, D600, Tardes and Cuirs. Of the three fragrances of later years, El Born is definitely my favorite not just in smell, I also find it in a better harmony on skin than Palo Santo.

Even if not smelling similar there are some similarities that makes me think that those who like By Kilian Light My Fire  with its sweet vetiver touch also would appreciate Palo Santo.

Rating: 4

Notes: Artemisia, rum, milk, guaiac wood, tonka bean, vetiver, vanilla, sandalwood.

Eau d'Italie - Acqua Decima

Picture: Acqua Decima, the color of the bottle
describes the juice perfectly.
Photo: PR Eau d'Italie (c)

Acqua Decima is the perfect summerfragrance from Eau d'Italie , dreated by Alberto Morillas. Acqua Decima was launched already 2013 and is the only Ed'I I havn't tested. Until now. The review of the new Morn to Dusk will follow later as vanilla goes well in the autumn.

Acqua Decima is said in the PR to be inspired by the scented notes which could be smelled along The Path of the Gods a mountain walk that links the Amalfi coast with the Bay of Sorrento, through cliffs in the wilderness over a glimmering blue sea. The gold of lemons and mandarins, the warmth of Neroli, the fresh coolness of petitgrain, enlivened by zesty notes of mint leaves.

Acqua Decima starts with a distinctive citrus accord, the mandarine must be the bitter version as there is almost no sweetness in the fragrance, it is of a herbal kind. Soon mint tunes in and takes the centerstage.It's not the chemical thoothpaste mint, this one is fresh and herbal. I can also smell something similar to tomatoleaves and for some moments I smell a modern version of Sisley Eau de Campagne. The herbal, minty accord, is wrapped in the citrusnotes which plays the supporting part after the very first accord.  The fragrance goes on very green, dry and quite linear. The basenotes are light woody green, constituting as the calm background to the sparkling, Sharp, just cutted greenery in the earlier stages. Overall Acqua Decima is edgy and contemporary in style, a member of the new colognes which are not as traditional in structure as the old citrus, light herbal ones. Despite classified as unisex, Acqua Decima to me is quite masculine, it's sharp and has no smothness or sweetness at all. Therefore I can't rate it after my wearing and have to rely on Mr Parfumistas judgement. Some of the other Eau d'Italies have the herbal, outdoorsy, sharpness also, I'm thinking of the original Eau de Italie and Magnolia Romana (worn by me in late spring/summer) both of them have more flowery components which creates a bit smoother, more feminine aura. When Mr Parfumista wears Acqua Decima he also detect a note similar to a lavander in the herbal accord. Overall he find it to be a well constructed fragrance, easy to wear and a fragrance that many people could like. Despite that he founds Acqua Decima a fragrance of much at it's own, there are some similarities to antoher fragrances but not so many. Mr Parfumista smells a hint from the classic cologne Bowling Green from Geoffrey Beene.
Aqua Decima is a genuine daytimefragrance for summer. The sillage is medium and the longevity for almost a day.

Rating: 4

Notes: Lemon, mandarin orange, mint, neroli, petitgrain, white wood, vetiver

Parfums de Nicolaï - L'Eau Corail

Picture: Thunderstorm over Corfu - Lightning Strikes
Photo: Simon Q (cc)
via Dorieo from Flickr to, Wikimedia.com 

L'Eau Corail is the summerfragrance for 2015 from Parfums de Nicolaï. The summer eaux fraiches are carefree fragrances for lazy (or busy) days. My favorite so far is the creamy but herbal orangeblossom Eau sOleil from 2013.Well balanced floral fruity fragrances seems to be en vogue in niche this summer and L'Eau Corail is a lighter take in the genre. For example Parfums MDCI Cio Cio San is a more intense version and even more so Neela Vermeire Créations Pichola.

L'Eau Corail starts with a juicy, natural smelling mangonote, the mango doesn't appears as chemical at all, even if I suppose it is. There is also a tangy bite, probably from black currant, just in the right dose as to me, heavy doses of that berry often is too much. But L'Eau Corail also has a dark side, just in the very begining of the top accords, there is also an almost electric smelling note, or mini-accord, glimpses by and this moment evokes the image of the dark sky in the beginning of a thunderstorm, with the flashes, before the rain sets in. There is some of the electric vibe still present also in the later stages of the dry down. Back to the main track: The mangonote is light, not the thick varity as in for example Neela Vermeire Créations Bombay Bling or Montale Mango Manga, L'Eau Corail is an Eau Fraiche after all. The texture is somehow creamy as also the smell and after a while a light boozy element apperars creating an intriguing contrast to the smooth creamyness. A fizzy, light and refreshing also non-chemical smelling mintnote appears as also cardamom from the depths of the fragrance. As L'Eau Corail dries further down the flowery elements steps forward and balances the fruityness, the cardamom is still contrasting and adding a sort of dry spicyness to this airy-creamy-moisty blend. I suspect that the teanote in the base is contributing a lot to the airyness of the fragrance, even if an Eau Fraiche and the ingredients are diluted, many of the ingredients by themselves are heavy in character. The rest of the base is a light regular wooden-ambery accord which act as a discrete background for the light fruity-flowery-spicy mainaccords of the fragrance.

Picture: L'Eau Corail in the regular
Parfums de Nicolaï bottle
Photo: PR Parfums de Nicolaï (c)

Even if contemporary in the notesetting with the fruits and cardamom,  L'Eau Corail gives me somehow a retro feeling. In expression, apperance and the feeling it gives me, this is very strange as it has completely different notes, L'Eau Corail reminds me of a modern and fruity Hermès Calèche Edt, just as the latter it intermediates a bright, confident, timeless, casual elegance which is present but not disturbing (if light applicated). As I got the same Calèche association to last years Musc Monoï which is aldehydic in style and therefore more obvious to be likened to the Hermès classic, there must be an overall similarity between the two Nicolaïs which I didn't caught immediately.

At first L'Eau Corail seems very feminine in style, at least for the first 80% of the fragrance it not at all feels unisex compared to eaux fraiches L'Eau Mixté or L'Eau Chic. Then apperantly something is happening:
In its later basenotes, Mr Parfumista (who hasn't smelled the earlier stages of L'Eau Corail said "Have you borrowed my Armani *) today"  "it smells as a mens cologne". L'Eau Corail is a lasting companion during warm, humid summerdays but I'm sure it will also be nice to cheer up gloomy days in the colder months. Sillage is big and longevity at least a day, very long lasting for an Eau Fraiche.

*) The first Armani, Armani pour Homme, aromatic-citrus with some moss, at least in Mr Parfumistas "vintage" version.

Rating: 4

Notes: Mango, black currant, lemon leaf, orange, spicy mint, jasmine, rose, osmanthus, cardamom, cedar, sandalwood, mate, musk, amber

Neela Vermeire Créations - Pichola

Picture: Panorama of Udaipur's Jag Mandir Island
 at Lake Pichola, Rajasthan, India
Photo: Sballal (cc) some rights reserved,
Wikimedia commons

Pichola is the latest release of the Parisbased perfumehouse Neela Vermeire Créations which has released some beautiful deep, multifacetted cntemporary orental styled perfumes in the later years. Pichola, as also the earlier perfumes from Neela, is created by masterperfumer Bertrand Duchaufour. Pichola is inspired by Lake Pichola which is situated in Udaipur, Rajasthan.

Pichola starts sunny, lush, juicy, lemony fruity with hints of spices. It's as I imagine it would be resting in a palace garden on the shore of Lake Pichola, sipping a refreshing, cardamon flavoured tea on a sunny day, occasionally cooled with gusts of wind from the lake. The fruity notes and the cardamon is recognized from another of the Neelas  Bombay Bling. Soon the great white flowers tubereuse and orangeflowers joins the blend mixed with a velvet, smooth magnolia who amps up the lemony impression. The magnolia is very well balanced, it has no sharp edges or chemical hints as in for example the higher octave, cologneinspired Editions Parfums Frederic Malle Eau de Magnolia. The middlenotes forms a classical floral accord dominated by the tubereuse and orangeblossom which smells wonderful and very natural as also the supporting jasmine, ylang-ylang and rose. The floral accord is watery-airy, reminding of the smell and texure of the air just above the surface of the lake. Pichola is not at all dense or cloying and the light spices perfectly contrasts the heavy flowers. In the basenotes smooth woods appears, one of the wooden notes is driftwood which probably creates some of the airy and watery impression. 


Picture: The spirit of Pichola
Photo: PR Neela Vermeire Créations (c)

When enjoying Pichola classics as the soapy, tubereuse-spicy Balenciaga Michelle comes to my mind. Michelle is aldehydic, soapier and with just a hint of  fruity notes. Also a modern, highend, less cloying and garish Versace Blonde comes forward. In the basenotes I come to think of Dior Poison also a spicy, fruity and much darker tubereuse. Overall Pichola is not "picco", it's grand but not in the bomastic way as the 1980s floral orientals, It's a wellmade contemporary interpretation of this cathegory, with juicy and lush fruits paired with the right, light dose of spicecs, replaceing some of the almost cloying, heady flowery "old school" accords of the old ones.

Pichola is the perfect summer fragrance to those who likes some "body" in their warm weather frags. Of course also great for winter when loning for the sun. Could be worn in any occasions, except for sport. Longevity for a day with traces on skin the morning after, sillage medium.

Picture: The beautiful bottle of Pichola
Photo: PR Neela Vermeire Créations (c)

Of the Neela Vermeire Créations released so far, I think Pichola is the easiest to like for a wider audience. Therefore I predict it will be the bestseller of the line :-)
Those who likes fragrances such as Ramon Monegal Moonblom and Robert Piguet Mademoiselle Piguet will probably like the more complex Pichola too.

Rating: 5

Notes: Cardamom, cinnamon, saffron, juniper, magnolia, neroli oil, clementine, bergamot, orange blossom absolute, rose absolute, tuberose absolute, sambac jasmine, ylang-ylang, benzoin absolute, sandalwood , driftwood, Haiti vetiver

Parfums MDCI - Cio Cio San

Picture: Poster for Madama Butterfly by Giacomo Puccini,
Author: Alberto Hohenstein (1854-1928), Wikimedia commons

Cio Cio San is the latest addition to the high quality Parfums MDCI line. Just as the intriguing Nuit de Andalouse from 2013, Cio Cio San is created by one of the brightest shining stars on the perfume heaven in the latest years: Cecile Zarokian. Cecile seems to have good hand (and nose) with oriental styled parfumes, she has created some of my favorites in the genre; Masque Tango, Laboratorio Olfattivo Kashnoir and Amouage Epic Woman.

Cio Cio San is also oriental styled but a floral oriental with intriguing, supporting fruity notes which are lightened up with skillfull handled teanotes which are note sharp or chemical at all. Cio Cio San starts sparkling with pink, lush floral notes, accentuated with fruits, with litchi as the leading star. I can't say that I can distinguish the cherry blossoms but I suppose they are involved in the sparkling, pink flowery opening.
From the very beginning Cio Cio San reminds me of a sort of reversed and less sweet Graine de Joie from Eau d'Italie. Where the fruits are the protagonists, supported by flowers in Graine de Joie, the flowers takes the central position in Cio Cio San even if distinctly supported by the fruits. Soon also deeper nuances appears in Cio Cio San which shows a wider spectrum of accords than in Graine de Joie. After a whlie a dark, rubbery note, similar to the rubber note of rose oil appears and as rose isn't mentioned I guess it comes from the peony. There is also a light glimpse of a fresh almost petrollike note in this stage. Soon also a dark woody note appears, it's similar to a light touch of oud (also not mentioned among the notes) and there is also something almost boozy lurking in the woody musky depths of Cio Cio San. Even in the deeper and darker dimensions of the fragrance, the loveliness of the flowers and fruits are clearly present. The teanote is perfectly intergrated and creates an airy and almost light impression also in the basenotes. There is also a pleasant sort of  tingling (maybe the ginger) tartness present during most of the dry down. The notes of Cio Cio San doesn't smell chemical which could be a problem in some fruity-florals and tea fragrances, respectively.

Picture: The "bust bottle" of Cio Cio San, there
is also a version with a plain cap.
Photo: PR Parfums MDCI (c) 

Just as Cio Cio San herself aka Madame Butterfly, the fragrance Cio Cio San is a fragrance with at least two faces: The happy one just as in the very beginning of the opera, then the melancolic and sad expression just as the way to, and the end of, this tragic drama. Another beautiful flower fragrance which honors Madame Butterfly is Amouage Honour Woman (swe) which is a creamy, well blended, but less original white floral which plays in a less dramatic scale and in higher octaves than Cio Cio San.

Cio Cio San is a intriguing fragrance where different ascpects/facetts are highlighted in different wearings depending for example from how much of the scent is applicated. I'm looking forward to test Cio Cio San also in cold weather as I suspect it will wears nice then too. For summer it's great. Cio Cio San is appropriate for many occasions, both for work and casual, but not for sports, it's too complex for that.
Sillage is somewhere between close to medium, longevity for at least a day with traces on skin the morning after.

Those who like good quality fruity florals as Neela Vermeire Creations Bombay Bling, By Kilian Playing With The Devil and Robert Piguet Jeunesse I suspect will also appreciate Cio Cio San.

Rating: 5

Notes: Yuzu, lemon, ginger, grapefruit, cherry blossom, peony, litchi, tea, guaiac wood, cedar, mus

1000 Jubilée

Picture: Avaible on the net, source in this case
Australian Perfume Junkies

Today I noticed that I just posted my 1000nd entry (the Rose Privee one) on this site, the entries from the almost three years on the fashionmagazine "Damernas Värld" (The Ladies World) are than not included. Many thanks to the readers over the years ! I assume the mix of readers are quite different now than in the earlier years. I think there are more people from the "perfumenerd category" reading today (as I'm Writing in english and reach out worldwide) and less from the broder "interested in beauty and fashion category" from the early years when written in swedish. But I could have completely wrong. Many thanks also to you who provides me with the samplevials of perfume which are the  basic commodites to run this place.

The speed was faster in earlier days with shorter entries which is rather good.per se. The more I get into perfume, the more impressions and connections to other earlier tested fragrances  I find out for the new ones I try. And the result is that each post get more extensive and there is less entries posted as a total. Also  the time that I can spare for this hobby has unfortunately decreased. In the "blog-library" I also see 333 old, unpublished entries, many of them are from my earliest blog "Parfumistans Blog" (The Perfumista diary) written in swedish and imported to this site from the first place where the blog was suitiated, on the newspaper Expressen. Expressen was early in Sweden to offer space for bloggers on their site. Other of the unpublished stuff is pre-written perfumereviews, most of them also in swedish and some in english. My intention is to publish at least  the english written entries from time to time between all the new stuff I review. And of course waitng for the great idea how to redefine the blog. In the meantime, there is business as usual.

PS: Celebrating the 1000nd by sampling the lovely floral, spicy, fruity, airy Pichola from one of my favorite houses, Neela Vermeire Créations. Review will follow later on of this beautiful huge white-flowery perfume.

L'Artisan Parfumeur - Rose Privee

Photo: Mr Parfumista (c)

Rose Privee is the latest rosecomposition from the classical nichehouse L'Artisan Parfumeur. Rose Privee is a creation of Bertrand Duchaufour and Stephanie Bakouche. Earlier rosecentered fragrances from the L'Artisan are the dark and dramatic Voleur de Roses and the rose-violet powder Drole de Rose. Rose Privee is something in the territory in between despite the pink, rosy packaging which indicates a light and sheer pink rose.

Rose Privee has one of the strangest openings that I have smelled for years which is definitly positive in my book. When described it will probably not be perceived as positive but it is as the fragrance balancing on the edge to smell unplesant but don't turn over to the wrong side. Rose Privee starts with
the for roseoil typical rubbernote which very soon turns to the smell of warm tires and then transforms in something similar to the smell of catpee in dry, hayish grass. If separating the notes in this cat-accord I smell mandarine, hay and basil and it seems as theese notes blended evokes this fatal olfactory combination.

Picture: Rose Priveè
Photo: PR L'Artisan Parfumeur (c)

After this nose-catching and challenging start, Rose Privee in its middlenotes becomes a more ordinary, rose dominated, floral (lilac, magnolia) musky blend with both fruity and herbal accents which creates a slight schizofrenic fragrance which couldn't chose which personality to be. In the basenotes there are dark notes with a dry patchouli which smell almost like dry tobbacoleaves combined with traces of basil  and amber. The somehow messy and uncertain impression of the middle- and basenotes unfortunately offsets the edgy start of the fragrance and lowers the overall impression of Rose Privee.  In the middle and basenotes there is something that reminds me of Vero Profumo Rozy Edp, probably the rose-lilac combo. Despite its messy character and the fact it's a bit annoying (the same phenomen as in Coqullite Tudor) I think Rose Privee is better than its reputation, it has got some negative comments in the blogosphere.

Rose Privee is suitable to wear for non-casual occasions year around. Sillage is medium and longevity great, about 24h.

Rating: 3+

Notes: Basil, mandarine, hay, lilac, carnation, magnolia, may rose, violet leaves, patchouli, amber

Thanks to Fragrance & Art for the sample to test

Téo Cabanel - Julia

Picture: Our new Swedish royalty HRH Princess Sofia
on her weddingday 13 June 2015.
Photo: From the press, avaible from many sources on internet

Julia is one of the first three releases (together with Alahine and Oha) when the old, venerable house of Téo Cabanel was re-launched in 2005. Julia is a re-working of inhouse perfumer Jean-Francois Latty of an older Julia formula, which I think I read somewhere was worn by Wallis, Duchess of Windsor who was a customer of Téo Cabanel in the most glorious days of the house.

Julia starts with a tangy accord of rhubarb and blackcurrant, notes thst could be harsh and sharp but obviously not in the skillfull hands of Latty. The accord feels. juicy and sunny which offsets the cold hyacinth dominated, flowery accord which is the heart of the fragrance. The hyachinth is supported by classical flowers as violet and jasmine and a plesant raspberry sweetness which supports the hyachinth-violet in the same discrete way as the iris is supported by the same berry in Ramon Monegal Impossible Iris. The raspberry and the rhubarb adds a contemporary touch to a, taken as a whole, timeless fragrance. The basenotes are elegant, woody, musky slight balsamic and matches the floral, tangy structure of Julia very well.

Picture: Julia
Photo: PR Téo Cabanel

Julia is a fragrance which suits very well for formal daytime summer dressing, it's a fragrance which intermediates confidence and exquisite taste. It´s discrete but in the same time clearly present, a very versatile perfume. Would be a good choice for a royalty like for example our new Princess Sofia for daytime representation. Longevity is good, for at least a day and sillage is medium.

Fragrances that comes to my mind (in style and apperance, they don't smell the same) when wearing Julia are Van Cleef and Arpels First and Purdistance Antonia.

Rating: 4

Notes: Mandarine, rhubarb, black currant, hyachinth, violet, jasmine, raspberry, musk, sandalwood, labdanum, incense

Téo Cabanel - Hegoa

Picture: Hegoa
Photo: PR Téo Cabanel

Hegoa is a light breezy, refreshing fragrance in the natural summerscent category from top quality niche house Téo Cabanel. Hegoa is created by inhouse perfurmer Jean-François Latty.

Hegoa starts teaish with soft, supporting citric notes. The tea is soft green and soon also a watery, dewy white rose joins the breezy blend and Hegoa is fleeting in a discrete and elegant cloud around the wearer. As wearer, it feels like taking a bath in a luxary rosewater with the bathtube full of the white rosepetals. The longer Hegoa dries down, the moore notes of greenery comes forward. The green notes are smooth and delicate, like budding leaves. A soft and discrete musk is emphasizing the top and middlenotes and an ambery glow and some very light woods constitutes the base. Hegoa is a true example of "less is more" carefully blended and balanced with high quality ingredients.The fragrance feels very natural, no sharp chemicals in sight (smell). It's a carefree, casual chic fragrance, refreshing and suitable to wear in daytime, year around even if the fragrance itself  signals sunny summerdays in a wild english styled garden. Sillage is very close and longevity almost for a day.

Even if not smelling the same, Hegoa would probably appeal to those who like light, fleeting rosefragrances such as Parfums de Nicolai Rose Pivoine and Annick Goutal Rose Splendide. Also those who likes Early Roses and Lace Garden from Téo Cabanel, will like Hegoa as  it shares their natural, elegant style but in a lighter and more transparant interpretation.

Rating: 5

Notes: Bergamot, citrus, mandarine, rose petals, green tea, violet, wood, musk, amber

PS:  Fragrance & Art also carries the Téo Cabanel line.

Téo Cabanel - Early Roses

Picture: Young woman in a rosegarden
Painting by Umberto Veruda (1868-1904)
Source: flickr.com

Early Roses is created by the inhouse perfumer of the venerable perfumehouse Téo Cabanel, Jean-Francois Latty some years ago. The Téo Cabanel house IMO create high quality, very wearable, natural smelling fragrances with timeless character, a house which should be tested by perfumelovers who likes the styles of the houses of Parfums de Nicolaî and Annick Goutal.

Early Roses starts with a perfectly balanced combination of pink dewy, heady roses and an smooth pink pepper which isn't sharp or dominating at all. There are also natural smelling, light woody notes with a smell which reminds me of some fresh cedarwood and most of all; juniperwood. The pink rose is dewy fresh without any tangy or souer nuances. This stage feels very natural and refreshing and also a bit rare as refreshing roseaccords often involves geranium which isn't the case here.

As Early Roses dries further down, a smooth, fluffy creaminess appears, also this accord is perfectly balanced, nor the musk or the touch of berries are overpowering or too sweet. It's like a clean, minimalist cream where high quality roses are melted down. The rosy creaminess is resting on a warming and golden glowing  amberbase with light woody nuances. The amber is also light, delicate and feels sort of natural, there is not the heavy ambroxstyle, which is present in many contemporary rosefragrances. There is also a pleasant, slight salty touch in the later stage of Early Roses, that creates a slight seaside impression, maybe a hint of ambergris.

Picture: Early Roses
Photo: PR Téo Cabanel

Fragrances which reminds me of Early Roses are for example Coquiliete Tudor for the rosy creaminess, where Tudor is not so well balanced and harsh and screachy in comperasion. A fragrance of high quality which comes to, my mind when wearing Early Roses in its later stages is Parfums de Nicolai Rose Oud which also has delicate ambery, woody, rosy basenotes.

Early Roses is a officefriendly fragrance for days when craving a delicate pink rose, regardless season. Sillage is medium and longevity for about a day.

Early Roses is a fragrance in the same transparent, elegant, flowery style as the latest release from the Téo Cabanel brand, the delicate white flower-tubereuse Lace Garden. Both fragrances could be equaled to olfactory Monet gardens.

Rating: 5

Notes: Jasmine, water, rose, pink pepper, musk, amber, wood

Olfactive Studio - Panorama

Picture: Sheats Goldstein House, LA with panorama view
Photo: Miguel Sandinha, PR Olfactive Studio (c)

Panorama is the latest addition to the Olfactive Studio line. The green fragrance is inspired of the "urban jungle" and the amazing view from the famous Sheats Goldstein House, an extraordinary villa in Los Angeles. Panorama is created by perfumer Clement Gavarry.

Panorama starts green but not with the damp and moisty greeness that I associate with jungles. Instead it smells like some green Irish mist perfume, a cold, herbal, clover greeness, man cologne-ish in style. After a while Panorama gets warmer and spicier  and a gourmand note reminding me of the asian gourmand note in Neela Vermiere Creations Ashoka and also in  État Libre d'Orange Fils de Dieu du Riz et des Agrumes. Probably this is the wasabi note mantioned, but far away in strength compared to when eaten with sushi. There is also a light incense-pepper note lurking in the background and here there is something (minus some sweetness) that reminds me of Tauer Reveire du Jardin. After a while, cooler, fir-like,  greenery appears and once again Panorama feels very masculine. The basenotes is the most plesant part of Panorama, the blend has smoothing out, some almost flowery and earthy elements have joined the mix and suddenly I recognise an old acquaintance the rough and tough lady Balmain de Balmain which is much more distinct and interesting green blend compared to Panorama. Not much more is happening in Panorama, it's a safe linear, but quite different and a bit weird green blend which is almost refreshing in its apperance.

Picture: The Beautiful green liquid of Panorama
Photo: PR Olfactive Studio

Panorama is good for summer, office friendly. with close sillage and longevity for a day. Even if a unisex fragrance, to me it's more masculine which I also think of Balmain de Balmain which is marketed as a ladys fragrance.

Rating: 3

Notes: Bergamot, lemon, wasabi, violet leaves, fig leaves, galbanum, cardamom, freshly cut gras,  musk, vanilla, tonka beans, myrrh, labdanum, fir, patchouli

Thanks to Fragrance & Art for the Panorama sample to test

Arquiste - Quick Impressions 3(3)

My final entry regarding my quick impressions of the Arquiste line.

Picture: Aleksandr Pushkin (1799-2837)
Author: V.A.Tropinin (cc) Wikimedia commons

Aleksandr: Inspired by Aleksandr Pushkins last duel in St.Petersburg  January 1837 Aleksandr highlights fresh green notes in a cold context, notes as fir,neroli, violet leaves and leather. The fragrance is elegant and subtle but to md the mixed ingredients almost smells like a smooth anise over soft suede and a fine vanillanote. An easy to wear everyday scent, classified as masculine but could also be worn by women IMO. Sillage is close and longevity for almost a day.

Picture: Still life with lemons, oranges and rose, 1633
Painting by Francisco de Zurbarán (1598-1664)
Wikimedia commons

L'Etrog: Inspired by Medieval Calabria, October 1175, where a family gathers to celebrate a good harvest. Starts with a sunny, yellow true smelling lemon, followed by a light, fresh in the same time a bit dark, ripe, fruity sweet note which ends up in a scent similar to fresh tobacco. Then L'Etrog softens in the lemony impression and get green and woodier during the drydown. A pleasant lemony, green-leafy-woody scent but unfortunately with a bad stayingpower. 

Overall the fragrances in the Arquiste line are well made and very wearable.My favorites are 1) Fleur de Louis, 2) Infanta en Flor followed by 3)Flor y Canto, 4) Anima Dulcis, 5) L'Etrog, 6) Aleksandr.
The fragrances are composed by perfumers Rodrigo Flores-Roux and Yann Vasnier who in a earlier colaboration has created (with Calice Becker) the much underappreciated Donna Karan Gold. Taken as a whole, the Arquistes have almost something of a polite and dimmed down Parfume Generale style, which make them wearable to a wider audience than the more distinctive Parfumerie Generale line. The latter is also more affordable than the Arquistes. Arquiste (samples and bottles) are aviable on Aus Liebe zum Duft

Arquiste - Quick Impressions 2(3)

Picture:  Infanta Maria Teresa is handed over
for the wedding with Louis XIV on  l'Île des Faisans in 1659
Painting by Laumosnier

The Arquiste quick impression session continues, in this entry with a complementing duo inspired of the marriage between Louis XIV the "Sun King" and his first wife Maria Teresa of Spain.

Infanta en Flor: The Infanta starts surprisingly a bit dirty, orangeblossom supported by a barnyardnote. But soon the Infanta smells freshly baded, the fragrances turns to a soapy, transparent, bubblebath orangeblossomsmell, the same bubblebath effect as the tubereuse in Flor y Canto but in Infanta en Flor the effect lasts during the whole dry down. Even if the bubblebath effect is evident, the orangeblossom deepens and get denser in the later part of Infanta en Flor and the dirty notes thankfully also returns.

Fleur de Louis: Sharper and more masculine in style than the Infanta, there is deeper, greener and woody notes accompaniying the orangeflower and iris in Louis. There is a wiff of conifers and the note of cedarwood is evident but it's not sharp or peppery at all. It is of a smooth, balsamic varity that induces the wowen patch smell that I like in fragrances as Comme de Garcons Jaisalmer and Musst de Cartier Edt vintage version.

Both Infanta en Flor and Fleur de Louis have medium sillage and longevity for about 24h. These two I like best of the Arquistes I have tried and of the two I find Fleur de Louis to be the most original.

Arquiste - Quick Impressions 1(3)

Picture: Mendoza Codex depicting the mexican coat of arms16^th century, Wikimedia Commons

The samples I ordered of some fragrances from the (at least five years ago) hyped Arquiste-line has somehow been forgotten. I start with some quick impressions of two fragrances inspired of Mexico, the homecountry of Carlos Huber the founder of the house of Arquiste.

Anima Dulcis: Inspired of the scent of exotic spices which floats throughout the halls of the Royal Convent of Jesus Maria, Mexico City in November 1695, where a group of nuns prepares a Baroque recipe of Cocoa infused with an assortment of chilies. Starts with an intersting, dirty, animalc blast of cumminlike notes over butterscotch follwed by a gentler soft, woody peppery phase in the style of Yves Saint Laurent Nu Edp and also with elements from Parfumerie Generale Cadjmere. Then it softens into a dark, almost slight minty, choco and nice vanilla with some polite notes of fiery pepper popping up from time to time. The longer in the dry down, the more the vanilla appears. An easy to wear contemporary gourmand-oriental with close sillage and longevity for about 24 h..

Flor y Canto: Inspired of the flowers offered on the temple altars of the Aztecs in August 1400 in Tenochtitlan, Flor y Canto starts heavy with the almost burnt butterscotch accord present. The butterscotch is blended with a tubereuse which is bubblebath-soapy at first but than deepens into a creamier one, in texture just as mediumpink velvet. As a tuberoselover this butterscotch-tuby version attracts me into half of its dry down but then it strangly weekens, blends with a lighter mangnolia note and after that does not regain the dense, velvety, buttery tubey from the heart. The silage is close and the longevity, just as when it comes to Anima Dulcis for about 24h. Even if the scent weakens, it's very pleasant to wear and it growes with each wearing. Wearing Flor y Canto is also a great way  to receive compliments.

L'Artisan Parfumeur - Mon Numéro 9

Picture: Citrus x limon,
Franz Eugen Köhler, Köhler's Medizinal-Pflanzen (1897)
Wikimedia commons

Mon Numéro 9 is a contempoary styled but in the same time classic cologne in one of the sub-lines of L'Artisan, the numbered Collection. See also my earlier review of the directe opposite to Mon Numéro 9, the boozy oriental Mon Numéro 10.  Both No 9 and No 10 are composed of superperfumer Bertrand Duchaufour, nowadays active in most wellestablished, older nichhouses and of courese also in some newcomers as BD seems to be a safe bet.

Mon Numéro 9 starts with a smooth, juicy and round lemon over green notes, on a light flowery carpet. The lemon is not sharp like the smell of chemical detergent which sometimes is present when lemon is dominating nor harsh-herbal as in some old styled mens colognes. The lemon-green-flowery accords are grounded in and contrasted by a typical contemporary vetiver, patchouli, woody, musky base. The musk is quite present but is not taking over the composition but assure that the longevity is very good for a citrus cologne. As described above, Mon Numéro No 9 goes on until it last traces fades away about twelve hours after application.

Mon Numéro 9 is a perfect, safe officefragence, fresh without the ordinary annoying, chemical freshness. Even if colognes traditionally are imagined as summerfragrances I think No 9 has enough body and tenacity to be worn also to bring some sunshine into autumn and winter. An versatile and well made fragrance even if nothing new in style.

Mon Numéro 9 reminds me to some extent of Sisleys Eau de Sisley 3 despite the latter is more uncommon and a bit more interesting as it also features a fizzy gingernote. Also Parfums de Nicolaï Cedrat Intense comes to my mind even if that one is heavier on the woody/patchouli notes.

Rating: 4

Notes: Citron, lime, petitgrain, lavender, coriander, rhubarb, cyclamen, shiso, rose, myrrh, vetiver, musk, patchouli, amber, wood

Thanks to Fragrance & Art for the sample to try.

Aedes de Venustas - Copal Azur

Picture: Views of the South Seas, a set of four,
HMS Resolution and Discovery in Tahiti
Watercolour by James Cleveley (1747-1786),
Wikipedia commons
 

New York based perfumstore and also perfume house Aedes de Venustas has, like so many others, also accelerated their launch rate the latest year. Copal Azur realeased in late 2014 is their second latest one. Copal Azur is composed by Bertrand Duchaufour.

Copal Azur starts with an accord dominated by a sort of smooth, rounded but in the same time distinct incensenote. The incense is not as heavy or sharp as in the traditional church insence personified by the classic  Commes des Garcons Avignon. Further on an accompanyng accord appears. This accord reminds me of a something woody, coconutty in a airy, humid, salty surrunding, there is also a slight woody-green note present. I get an image of a palm-tree situated on a beach, the weather is becoming worse, grey skies are appearing over the sea and the wind is increasing and with flurries. From the still sunwarmed palm-tree trunk, one can smell the tree resin, balsamic-woody with hints of coconut. As Copal Azur dries down further down, the resin qualities strengthens as also the spicy ones and in the same time the fragrance also becomes  ambery sweet. Maybe, at least when it comes to my nose, a bit too sweet when compared to the intitial airy-incense phase of the fragrance. Even if a different incensesmell, the airy pine-incense Oriza L.Legrand Relique D'Amour comes to my mind as it's also the airy incense concept but sutiated in the North whereas Copal Azur is the airy incense of the shores in the countries around the equator.
Recently I watched a documentary on television about Captain James Cook and I can imagine the smell of Copal Azur when the ship anchored by the islands in the South Pacific.

Picture: The beautiful Copal Azur bottle.
Photo: PR Aedes de Venustas (c)

Copal Azur is refreshing and pleasant to wear especially in spring and summer but could also be suitable in autumn and winter when in the right mood for this type of high and airy incense. It's a daytime fragrance, perfect for both work and casual. Silllage is medium and longevity for a day. Copal Azur is totally unisex.

Those who likes different kinds of airy incense fragrances as for example the dry, woody, high Incense Extreme by Andy Tauer, the light slight flowery incense Encens d'Ange by Autour de Parfums as well as the airy-aldehydic "Chanelesque" incense of Montale Full Incense could also like Copal Azur.

Rating: 4

Notes: Incense, salt, ozonic notes, patchouli, cardamom, tonkabeen, amber, myrrh

Thanks to Fragrance & Art for the sample to try

Maria Candida Gentile - The Flight of the Bumblebee 2(2) - Leucò, Kitrea and Syconium

Picture:  A sweet bumblebee (bombus pratorum)
is flying in for nectar
Photo: Bernie, Wikimedia commons

Today review of the last one in this delicate, contemporary styled Maria Candida Gentile trio.

Syconium:

Syconium starts with a sweet fignote over a background almost similar to a not too sweet cookie, probably the sandalwood. As Syconium dries further down, it becomes pleasantly, creamy, milky and reminds like that in the rest of its development even if the sandalwood gets even more prominent and is dominating  in the basenotes. In the basenotes there some vibes from the sandalwood which reminds me of  Editions Frederic Malle Dries van Noten. In the late phase of the basenotes, an moisty, dark, earthy accord appears, taking over  from the dry  and warm sandalwood. As a whole, there are no harsh edges in Syconium and it's not the figgy-woody-fresh type as for example Diptyque  Philosykos, Syconium is more of a gourmand fig as for example the much more spicy, and more complicated in construction, Neela Vermiere Creation Ashoka. Both has the gourmand fig concept in common, wheras Ashoka is the main course and Syconium the dessert. As with the other members of the Bumblebee trio, the longevity of Syconium is very good, at least a day. Sillage is medium and the fragrance even if ecpecially suitable for warm, casual summerdays, also fits as a reminder of warmer days, year around. Syconium is also office approved, with its happy and warm character it will not offend anyone.

Rating: 4

Notes: Honey, milk, fig, sandalwood

Picture: Plate 38, Moses Harris:
An exposition of English insects (1782) Moses Harris (1731-1785)

The Flight of the Bumblebee trio is light, easy to wear fragrances, which would please most people. There is nothing of the challenge and sometimes even quirky twists, of the first six MCG fragrance. But sometime one just want something good smelling, non-deamnding and very wearable. For that purpose The Flight of the Bumblebee trio is a splendid alternative, especially for spring and summer. As the trio is avaible also in 15 ml á SEK 288/EUR 30,55 they are excellent choices as a signatures for Summer 2015. 


Thanks to Fragrance & Art of the samples to test

Maria Candida Gentile - The Flight of the Bumblebee 1 (2) - Leucò, Kitrea and Syconium

Picture: The fresh Bumblebee Collection
Photo: PR Maria Candida Gentile (c)

Italian perfumer Maria Candida Gentile "Flight of the Bumblebee" trio, inspired from the beautiful music piece of Nikolaj Andreyevich Rimskij-Korsakov, uses honey as the common theme of the three fragrances. The fragrances are light and natural, ar also inspired from the beauty and simplicity of mother nature. All three parfumes are Edp:s and has a very good longevity but in the same time feels light and transparent in texture.

Leucò: Dominated by light spices, woody and white flowery elemtents over a musky base. It's fleeting without sharp edges. The honey is not dominating, it's a supporting note adding some warmth to the composition. In other words, there is nothing of the challening honey of Serge Lutens Miel de Bois. The more Leucò dries down, the more present is the tubereuse and the light peppery,woody slight musky basenotes, which even if smooth, take some of the natural impression away but this is not at all disturbing. Probably thanks to a skillful handling of the woody musky elements (the latter not mentioned in the notelist), the longevity is tremendous for such a light and transparent fragrance, on a scarf it could be recognized, unfragmented a week after testing. As Leucò is strong but has a light texture, one have to be careful and apply sparingly.

Rating: 4

Notes: Honey, cistus, lily, tubereuse, benzoin, pepper, frankincense

Picture: Porträt des Komponisten Nikolaj Andrejewitsch
Rimskij-Korsakow (1844-1908)
Painting by Valentin Alexandrovich Serov (1865-1911)
Wikimedia 

Kitrea: Kitrea is the most unusual in the trio. Starts light fruity-citrusy with mixed with salty seanotes which are very refreshing. There is a pleasant hint of woody sweetness in the salt, probably the effect of the grey amber which I suppose is the same as (syntetic) ambregris. Kitrea with its seaside, salty vibes reminds me of another MCG gem, the woody-aquatic  Finisterre but Kitera is a sweeter fragrance whit is natural feeling sweetness of honey and fresh fruits. The fresh fruits is nothing like the standard ultra sweet muddled accords of  many fruity-floral fragrances, the fruitiness of Kitrea is transparent, natural and cold-clear. Another salty fragrance which Kitrea reminds me of is Laboratorio Olfattivo Salina.  Just as Leucò,  Kitrea albeit citrusy, is strong in concentration but has a light texture. Therefore  one have to be careful when applying as a little goes for a day.

Rating: 5

Notes: Honey, lemon, bergamot, fresh fruit, grey amber


Thanks to Fragrance & Art of the samples to test

Ramon Monegal - Moonbloom

Picture: Moonflower before opening for the nightblooming
Photo: The Moonlight garden circle com (c)

Moonbloom  is created by spansh perfumer Ramon Monegal. Moonbloom is another Ramon Monegal exclusive for Bloomingdales in Dubai, see also Dubai Next To Me  for Bloomingdales in Dubai.

Moonbloom starts starts with sweet, creamy, white flowers where tuberose supported by orangeblossom dominates in a delicate mix,I don't know if there is any moonbloom within as I don't know how it's smelling. The opeing reminds me slightly of the old gem Versace Blonde, but more bright, clean and innocent. Moonbloom is quite linear in its construction and when Moonbloom has settled, it smells of sweet, honeyed white flowers inteacting with an light ambery smooth woody base during rest of its lifespan. The ambery, flowery aura of the fragrance, reminds me of the similar, but more classic in style, impression of Maison Nicolas de Barry Madame de Pompadour. Some darker passages are swirling up to the surface in the second part of the dry down, this passages remins me of the special almost inky rose, spieces, sandalwoody combination in Vero Profumos beautiful Rozy Edp. Another fragrance that comes to my mind is Robert Piguet Mademoiselle Piguet but without the pleasant slight decaying greenery accord of the latter

To summon up Moonbloom, it's not an original fragrance as there are many in the same thick, almost tropical white flower style.The archetype for this style is to me a fragrance as Annick Goutal Songes even if there of course where other before that one in this group. On the other hand Moonbloom is very beautiful  and very pleasant to wear, smells wonderful. Even the picky Mr Parfumista commented in a very postive way on Moonbloom, and thats not happen very often when I'm testing new fragrances.

Moonbloom is an easy to wear fragrance, perfect for most occasions and is the type of fragrance which blooms and unfolds as best a very warm summerday. Longevity is for a day when tested under spring conditions ca 10+ C, silage is medium.

Rating: 5

Notes: Havn't found any notepyramid but I guess tubereuse, orangeblossom, rose, sandalwood, amber, vanilla. musk  are involved