Parfum d' Empire - quick reviews

Recently, I (and Mr Parfumista) tested some almost forgotten samples from the wellcrafted Parfum d'Empire line, all the samples is from the "old" line ie before the change in bottledesign.
Below some quick impressions:

Picture: Yuzu Fou (old bottle)
Photo: PR Parfum d'Empire (c)

Yuzu Fou: Citiric, kumquat and bitter orange notes contrasted with different bright, green notes such as bamboo and verbena. Creates a sunny and warm impression and a touch of something fizzy spicy as ginger. Goes much better with Mr Parfumistas skinchemistry than mine.

Picture: Osmanthus Interdite (old bottle)
Photo: PR Parfum d'Empire (c)

Osmanthus Interdite: This osmanthus is just lovely, it reminds me of another light and tender favorite but featuring another flower, ByKilian Imperial Tea.

Picture: Equistrius (old bottle)
Photo: PR Parfum d'Empire (c)

Equistrius: Strangely enough this is said to be an iris as it smells close to Antonio Visconti Rose Savage but on the other hand  neither the iris in E or the rose in RS are particularly clear or dominant, they are just parts of two elegant and well crafted fragrances.

Picture: Wazamba (old bottle)
Photo: PR Parfum d'Empire (c)

Wazamba: A gentle and unusually warm incensefragrance with some slight sweet, spicy notes. It is said to be inspired of Africa and I could agree as it has that warm and different twist compared to  the  austere styled cold european incenses. Great longevity.

Picture: Fougere Bengale (old bottle)
Photo: PR Parfum d'Empire (c)

Fougere Bengale: One of the best blond tobacco scents out there, smells pure and authentic as freshly harvested tobaccoleaves. A winner for Mr Parfumista.

Fragrance & Art carries the full line and have some bottles left of some of the Pd'E fragrances in the old styled bottles to the old considerably lower price.

Parfum d'Empire - Cuir Ottoman (new & old version)

Picture: Sultan Selim III holding an audience in
front of the Gate of Felicity.
 Oil on canvas, Topkapı Sarayı Müzesi, Istanbul,
Wikipedia commons

Cuir Ottoman is created by ISIPCA perfumer Marc-Antoine Corticchiato for his own perfumehouse, Parfum d'Empire. Parfum d'Empire is a house that produces first class perfumes to decent prices (to be niche) also after the re-packing, and it also seems to, slight revison of the earlier fragrances. When it comes to Cuir Ottoman, revision is definitly the case at least to my nose when comparing the first version launched in 2006 with the new one.

Picture: Cuir Ottoman (old)
Photo: PR Parfum d'Empire (c)

Cuir Ottoman starts leathery-floral, the newer one airier and with more flowers than the older one. After a while the old one becomes a bit smokey, supported by a rubbery note, slight similar to the rubber in Bulgari Black. The rubbernote is intricate and surpringly shifts between the rubber and a note similar to something to a flowery bubblegumnote. When the new version developes, the higher octaves of the scentscale and the more flowery impression remains. Instead of the rubbery note in the old version, I smell a note close to gunpowder balancing the flowerinfused leather. The new version is a tad more feminin in style, more elegant than the more masculine tougher and rougher old version, somewhat like the elegant Chanel Cuir de Russie compared to the masculine Knize Ten even if not smelling the same. As Cuir Ottoman dries down in the still leathery basenotes, I find new and old version becoming more alike than in the earlier stages, even if the old version is a tad more spicy and deeper.

Cuir Ottoman is a very good leather fragrance in the basic classic style that every fragrance wardrobe needs. Not demanding or or particularly innovative but a well made and well balanced leather in a timeless style. When writing this review, a grey autumn Sunday, I slightly prefer the old version, which with its a bit darker facetts is suitable for autumn and winter. But if the testing was performed in spring/summer I maybe would prefer the new version.

Picture: Cuir Ottoman (new)
Photo: PR Parfume d'Empire (c)

Cuir Ottoman is appropriate for most occasions (apart from working out) and seasons (though not in the hottest summer). Longevity is good, for more than a day, and sillage is somewhere between close to medium. To conclude, Cuir Ottoman is definitely a leather to consider when adding a classic "Cuir" to ones wardrobe.

Rating. 5

Notes: Iris, jasmine, leather, vanilla, tonka bean, incense

Thanks to Fragrance & Art  for a sample of the new version

Blog Anniversary - 8 years today

Today it's eight years since my first entry (in swedish) on old "Parfumistans dagbok" = "The diary of Parfumista". It was about my long time passion for perfume, my first perfumememories of my mothers signaturefragance Dior Diorissimo etc. Looking back, if I had put all the effort that I put in blogging and the money spend in perfume in managening a stock portfolio instead, I would be halfway to be financially independent by now :-). On the other hand, I  probably would have smell less intricate.

Perfumes I crave and wear at the moment:

Guerlain L'Heure Bleue Edt & Edp (vintage): Both magnificent, Edt airier, drier and with an almost herbal touch, Edp dark and like velvet in texture, sweeter and with more flowery notes.

YSL Opium Edt (current): I love also the current formula, deep, spicy, dark woody. Perfect for fall and winter and with a excellent longevity.

Montale Aoud Red Flowers Edp: A non-oudy oud from Montales oud-line. Lipstick texture, tagets with traces of tobbacco. Sort of vintage feeling.

Farmacia SS Annunziata Gelsorosa Edp: The best jasmine (supported by orangeblossom and tubereuse) I have tested so far. Intensive and musky-animalic.

Chanel Cuir de Russie Edt: Powdery, aldehydic, leather, with a lipstick texture. Like the smell from inside an elegant purse.

Pictures above: PR Guerlain, Yves Saint Laurent, Montale, Farmacia SS Annunziata, Chanel (c)

PS: Out of nostalgia I publish this post at 14:02 PM exactly the same moment as the first entry eight years ago.

Maria Candida Gentile - Noir Tropical

Picture: Noir Tropical
Photo: PR Maria Candida Gentile (c)

Noir Tropical is a vanilla, silght gourmandy fragrance from  italian perfumer Maria Candida Gentile whos fragrances, I appreciate very much. See reviews and other posts tagged MCG.

Starts with an vanillic accord which is almost chocolaty in the first stages. This part reminds me of old Trussardi Python but a smoother and gentler interpretation. The chocolade vanish after a while and a woody, slight rummy vanilla takes the centerplace. In this stage Noir Tropical reminds me of a mixture of Boucheron Trouble, the characteristic dry woody vanillanote, similar to the smell of old books, and the rummy vanilla of L'Artisan Parfumeur Havana Vanille/Vanille Absolument. After that there is not much more happening, Noir Tropical is a cozy plain vanilla, nothing original or challenging which is a bit disappointing as some of MCG:s first fragrances Sideris, Cinabre and Exultat are exactly just that. The longevity is for at least a day, the sillage is close and Noir Tropical is a perfect, not offending, perfume for the workplace. But as said above, no sensations. The name Noir Tropical to me recalls the image (or smell) of a dense night blooming, dark perfume, something with heavy flowers and vanilla and compared to that, Noir Tropical seems seems a bit lightweighted.

To summarize: A nice, and pleasant vanilla perfume which could be appreaciated by a much  wider audience than MCG:s earlist fragrances. A good sort of basic vanilla fragrance to consider I one needs a new one in this genre for the grey and cold months to come.

Rating: 3

Notes:  Bergamot, almond, vanilla, rum

Thanks to Fragrance & Art for the sample to try

Rania J. - T.Habanero

Picture: A close up of an orange Habanero chile pepper
Photo: Ryan Bushby (cc) Wikipedia commons,
some rights reserved

T.Habanero is the latest release from perfumer Rania Jounaeh who has created a collection of perfumes containing a high percentage of naturals. See  my reviews from spring this year.

T.Habanero starts with a blast of barnyard, strong, dark, and intensive. The barnyard accord is similar to tha same accord in Rania J. Oud Assam which is the one of Ranias earlier fragrances that most equals T.Habanero. It also have some traces of Rania J.s Ambre Loup. As T.Habanero dries down to its second half, the dirty notes almost disapperars and a distinct but not too strong tobacconote takes the centerplace. There is also a ligtht spicy impression which is rather cold and not warm in its character, probably it's the cardamom contributing to this. The pepper, is despite the name of the fragrance, not a dominating note, it's well integrated in the fragrance.

T.Habanero isn´t something new or especially orginal despite some challenging accords in the first part of the fragrance. Overall it's a nice and comforting perfume, perfect for the cold autumn and winterdays which are approaching. It's a strong fragrance so one has to apply sparingly to avoid overdoing. So handled it could be worn also in the workplace even if the style and character in my opinion is more casual, perfect for a walk in the woods in crispy autumn leaves.

The style is in the contemporary dark-resin-oudy with representatives as for example Puredistance Black, Parfums MDCI Cuir Garamante and Stephan Humbert Lucas 777  Black Gemstone. When comparing T.Habanero to Oud Assam, I think the latter is a better and more challenging composition.

Rating: 4

Notes: Cardamom, black pepper, sandalwood, olibanum, myrrh, oud, tobacco

Parfum d'Empire - Corsica Furiosa

Picture: Emperor Napoleon I (1769-1821),
another corsican furiosa.
Painting by  Paul Delaroche (1797-1856)

The latest addition to the highquality house Parfum d'Empire, Corsica Furiosa is a tribute to the ISCPA-trained perfumer and owner of the house Marie-Antoine Corticchiato native island Corsica. Corisca Furiosa, which features the mediterrian shrub lentisque, is an aromatic-green fragrance in its very own style , one hand dry, herbal, on the other green, leafy, crisp.

Corsica Furiosa starts with an accord which smells of dried herbs and gras over the sunbaked, hot, earth of a mountained, mediterrian island. There is also a note of smoke, as the smoke from a fire far away. A light spicy limenote is also present and is recognizable also in later stages of the fragrance. After a while a natural haynote appears and further in the dry down an almost animalic note, a pleasant furnote, appears. This stage reminds me of something in Musc Tonkin but softer and tuned down. In the basenotes a note clos to crisp, bulbflower leaves appears, probably the tomatoleaves but different handeled than in typical tomatoleave fragrances as Sisley Eau de Campagne and Joop! What about Adam. In this stage a light flowery element which reminds me of daffodil, enlighten this, taken as a whole, austere composition. This flowery note, the green note, the fur note and some of the hay with a slight herbal touch is what remains in the basenotes and lasts until the fragrance has dried down after 8-10 hours. There is also an element in Corsica Furiosa which reminds me of an accord in the base of Olivier Durbano Lapis Philosophorum.

Corsica Furiosa is gentle and close to the skin, it's light, almost as a cologne and could be re-applied during the day without any risk for overdoing it. It's a very casual fragrance but would also perform well in the workplace, especially in the scentfobic office. Corsica Furiosa is most intriguing in its first part, than its plesant and quite ok but with out the sensation of the first one third.

To me Corsica Furiosa is truly unisex but to be honest I think it wears better on me than on Mr Parfumista who tried it at first as I thought it would be more herbal bitter and masculine in style. Other fragrances which comes to my mind when testing Corsica Furiosa is Guerlain Cologne 68 which have some of the burnt, herbal mediterrian notes but is more flowery and sweet. The crispy bulbflower leaf is present in for example Pierre Balmain Vent Vert (older formula) and Oriza L .Legrand Deja le Printemps.

Rating: 4

Notes: Lentisque, hay, grass, lime, honey, moss, labdanum, mint, tomatoleaves, pepper

Thanks to Fragrance & Art for the sample to test.

Maison Francis Kurkdjian - Féminin Pluriel

Picture: Portrait of a young lady with a white veil,
oil on painting, unknown french painter ca 1800

Féminin Pluriel is the feminie part of the Pluriel compositions of Maison Francis Kurkdjian, with Francis himself as the nose. The masculine Pluriel will be reviewed in a coming post.

Féminin Pluriel starts with a bright, clean iris where the carrot is present but very well balanced, it never reaches the deep, rough, earthy territories like for example Serge Lutens Iris Silver Mist. Soon bright and almost sparkling violets and roses apperars, I imagine the roses as elegant creme colored ones and the violets in a pale violet nuance. Further in the dry down the flowers mingels in a beautiful, bright and uplifting boquet, subtle, trasparent and very elegant like a creme colored silk chiffon scarf flapping in the wind or the veil of a bride.There is something the overall impression that reminds me of two Jean Patou fragrances: EnJOy and Un Amour de Patou, mostly of the latter. From EnJoy there is something similar from the basic structure, a contemporary chypre with a patchouli-vetiver base. EnJoy is rougher, louder and have some frutiy  notes (which mixed together reminds) me of pineapple, these notes are not present in Le Pluriel. The flowery light rosy bouquet is in the same style as in Un Amour de Patou, even if not smelling the same, they mediates a similar impression. A note that is distinguishable when  I'm wearing Pluriel is the Lily-of-the-Valley, the spontaneus reaction from the kids are "Your smelling like grandma" and as Dior Diorissimo is my mothers it signaturefragrance there must be the LOTV. Even further in the dry down, a very light powdery impression with a glimpse of a soft lipstick note, apperars and when reaching the base, the vetiver steps forward making Pluriel a tad greener. The vetiver is dry and gentle and not of the rougher, masculine kind, the patchouli is in the clean, contemporary style, which is not dominating the base, just adding some slight earthy dept to it. There is also a balsamic quality in the texture, not the smell, of the base, despite all traces of balsams and resins are missing in the composition. This "balsamic"quality is also present but more pronounced, in another MFK favorite, APOM Pour Femme. There is also something common in style, not much in smell, with Jour d'Hermès but the latter is greener, harsher, sharper and more tangy in its scent.

Picture Féminin Pluriel
Photo: PR Maison Fracis Kurkdjian (c)

Féminin Pluriel is a very wearable fragance, both for business and for pleasure including occasions that deamnds an elegant outfit and fragrance. The sillage is medium and the longevity for a day, and when wearing Pluriel one could be sure it's attracting compliments. Pluriel is not as complicated as the earlier MFK fragrances so it will probably reach a greater audience than the more extreme ones.

I was very curious to compare Pluriel PF with an other great Francis Kurkdjian composition of 2014: My Burberry and thought there would be more similarities than it really is. Pluriel is very clean, innocent without any dirty notes, compared to My Burberrys urban garden and asphalt notes, Pluriel is an unspoiled country girl where My Burberry is the casual chic and though city girl. Taken as a whole My Burberry has more interesting twists with the contratsing flowery and urban notes but Pluriel is much more beautiful and elegant. Just as with My Burberry, I find Féminin Pluriel to be one of the best and most wearable fragrances of what I have smelled from the 2014 releases.

Rating: 5

Notes: Iris, violet, rose, jasmine, lily-of-the-valley, orange blossom, vetiver, patchouli leaf

Frapin - Nevermore

Picture: "Le Corbeau"
  Drawing by Édouard Manet (1832-1883) 

The haunting dark, mysterious Nevermore is the latest release from the vernarable congnachouse of Frapin, a house which also create perfumes, almost always with a boozy touch. Nevermore is inspired of the life, work and mysterious death of the american novelist Edgar Allan Poe especially from the poem "The Raven" and also the suggestive story of the "Poe Toaster". The Poe Toaster is a figure in a dark cloak who appears on the birthday of Edgar Allan Poe, put down three roses, toasts in a glass of congac and left the remains in the bottle on the grave. And what could be a better interpretaton of that scene than Nevermore....

Nevermore starts with a honeyed, beewaxnote. Soon an almost metallic spicy pink-purple rosy accord appears, followed by a rosy and winey accord  close to the special winey accord in  Frederic Malle Une Rose but in Nevermore the accord is in a drier interpretation. I percieve Une Rose as sweeter, but to me the closest fragrance to Nevermore. The spicy metallic vibe is probably from the saffron and there is also a slight oudy, impression. As the ingredient is not mentioned Nevermore is probably a representant of the genre "non oudy ouds" ie fragrances which recalls oud in the texture and appearance but featura the oud note, Among the dry spices there is also  something from the dark green bayleave note present from Andy Tauer Une Rose Chypreé. There is also an slight earthy impression and a dark leather note, like the stiff leather in a black leather trenchcoat, glimpses by.

Picture: Nevermore
Photo: Frapin (c)

In the basenotes a distinct but wellbalanced, slight woody powdery like pulverized dry woodshavings of cedar,accord is present. There is also a beautiful and natural smelling rose present, very dark red, almost black and with a touch of decaying notes. In the late basenotes there is like the rose gets lighter and more pink-purple again but still wrapped in the cedar and in a contrasting  warm amnber.

Taken as a whole Nevermore is suggestive and triggers ones imagination which is something I demand from a fragrance to be FBW. It is very longlasting on skin with a strong sillage, this is a fragrance that must be carefully applied. In style it's a quite masculine rose, it developes in a very beautiful way on Mr Parfumista, not that good on me. When worn by Mr Parfumista there is some similarities with another favorite of him, Montale Aoud Saffran even if Nevermore is drier and more cold spicy.

Rating: 5 (on Mr Parfumista) 4 (on me)

Notes: Aldehydes, nutmeg, black pepper, rose, saffron, amber, cedar

Jul et Mad - Aqua Sextius

Picture: Fontaine-Albertas in Aix-en-Provence.
Photo: By Oslostudio under CC Attribution-Sharealike license
Wikipedia commons, some rights reserved

Inspired from Aix-en-Provence with its sparkling fountains, the latin name of the city gave name to Aqua Sextius, the founders of perfumehouse Jul et Mad, hired the it-perfumer Cecile Zarkoian to create a fitting blend.

Aqua Sextius starts with a concentrated limenote which reminds me of the classic Rose's limejuice. Soon an aquatic accord somewhere in between Aqua di Gio and Agua de Loewe joins  the lime together with a fresh, green, minty note. Even if not mentioned as a single note, I percieve something close to a soft cardamonnote mingling with the mint through the whole developement of the fragrance. A sort of clean and dry figgy note also appears in the middlenotes together with a slight flowery element. Some fresh, soft, woody notes together with a pleasant, clean musk anchors Aqua Sextius and the notes blends in a comforting and relaxing way.

Aqua Sextius is a perfect fragrance for relaxed casual wear but also easy to wear and not disturbing in the workplace despite its good sillage. The longevity is very good, for over a day even in warm, sunny, summertempratures. The style of Aqua Sextius is appropriate for summer but I also think it's a fragrance which is comfortable to wear in any season. A happy and easy to wear fragrance within the "mainstream niche"cathegory.

Picture: The well matched bottle of Aqua Sextius
Photo: PR Jul et Mad (c)

Those who like fresh fragrances in the style of  Parfumerie Generale Yuzu ab Iratio, Phaedon Cendres de The and Noir Marine will probably also appreciate Aqua Sextius. The fragrances doesn't smell the same but have common accords as for example the fresh cardamom smell in Cendres, the aquatic wood of Noir and the dry but juicy texture of Yuzu.

Rating: 5

Notes: Grapefruit, bergamot, mandarine, orange, the, mimosa, aquatic notes,mint, eucalypthus, white flowers, fig, pine, labdanum, amber, moss, cedar, guaiac wood, musk

Thanks to Fragrance & Art for the sample to try

Aedes de Venustas - Oeillet Bengale

Picture: Oeillet Bengale
Photo: PR Aedes de Venustas (c)

The latest release from New York based perfumeshop Aedes de Venustas, Oeillet de Bengale is created by perfumer Rodrigues Flores-Roux, a pefumer who created hidden mainstream gems as Donna Karan Gold  (swe) and also hyped niche fragrances as for example for Arquiste.

Oeillet Bengale starts with a true and soft carnation note followed by a light spicy incense focused note. Soon a beautiful rose appears, the rose is tender and natural smelling. As Oeillet Bengale dries further down, the rose and spices blends in a mix that creates an impression of a soft spicy carnation. Further in the development, the rose steps forward and appears in a different form, now in the form of a retro diva, the rose smells balsamic and a bit oldfashioned, deep and dark but without powdery and soapy nuances and reminds me of the rose-saffron accord in Odori Zafferano but in a smoother version. In the basenotes the balsamic, ambery impression deepens and playing beautifully with the spicy, rose-carnation. Taken as a whole, Oeillet Bengale is linear in style but playing in a higher, flowery register in its first part and on the deeper, darker part of the scale in the second part.

Oeillet Bengale is subtle with an obvious, chic-simple elegance, I can imagine the wearer of Oeillet Bengale in a basic uniform consisting of a black chasmere jumper/cardigan, a black light woolen penskirt, contrasted with different decorative silkscarves or pashminas. In its olfactory character, Oeillet Bengale reminds me of a non powdery Chanel 1932 or a Grossmith like Amelia. When it comes to carnations, the current (or just disontinued) Caron Bellodgia Edt is too watered down and not as balsamic in style, Bellodgia Edt in
the older version is in the traditional eugenol carnation style. Compared to another great carnation release from this year, Oriza L. Legrand Royal Oeillet reviwed earlier this week, Oeillet Bengale is a more of a non descript carnation, the fragrance is in fact a spicy rose underscored by balsamic notes which creates the impression of carnation, whereas Royal Carnation is a very true, classical carnation but in a contemporary interpretation. I have also heard from a reaible source that Oeillet Bengale have many similarities with vintage Yves Saint Laurent Opium Extrait, havn't smell the vintage extrait myself.

Oeillet Bengale is soft, elegant and in the same time comforting. It's sillage is close
but fully detectable for those nearby. Appropriate both for casual and the office especially for the colder months. The stayingpower is good, for over a day. And the bottle, like the other Aedas falcons, just marvellous.

Rating: 5

Notes: Turmeric, cinnamon, black pepper, cardamon, clove, saffron, rose, white pepper, strawberry, floral notes, vanilla, tolu balsam, benzoin, labdanum

Thanks to Fragrance & Art for the sample to test

Oriza L.Legrand - Royal Oeillet

Picture: Study of Polly Bernard  1885 for
"Carnation, lily, lily, rose"
Painting by John Singer Sargent (1856-1925)

Royal Oeillet is a composition inspired of the rich heritage of the revived french powder and perfumehouse Oriza L.Legrand. The house of Oriza recreates some of the old formulas taken the restrictions of and opportunities in to account and the result is one of the very best nichelines of today. In Royal Oeillet he interpretes the it-note of 2014: Carnation.

Royal Oeillet starts with an traditional, dense carnation note, a full carnation as in Caron Bellodgia pre year 2000. After a while, a contrasting note appears, a glimpse of the, what I call "an old attic" note appears, but much lighter, cleaner and airier than in the "old attic" gold standard L'Ombre Fauve from Parfumerie Générale. The note soon steps back and integrates with the carnationnote. The carnation is dry and papery in structure, I imagine its color as brick red. The clove which is a part of the carnationnote is very balanced and doesn't overpower the composition. Compared to Royal Oeillet, for example M.O.U.S.S.E and M.O.U.S.S.E II from Oliver & Co, spicy clovefragrances and the impression of carantion is subordinated the spices. Royal Oeillet is, despite the light spieces, in a strange way refreshing when worn a warm summerday. It's linear and minimalistic in its apperance but not at all boring. Its a meditative and calming fragrance which triggers the imagination and transports the wearer to the late 19th century and the impressionists era. The atmosphere in John Singer Sargents wonderful painting Carnation, lily, lily rose is similar to the vibes of Royal Oeillet.

Picture: Carnation, lily, lily, rose -
 the finished painting 1885-1886
 John Singer Sargent (1856-1925)

Compared to the other Oriza L.Legrand carnation, Oeillet Louis XV Royal Oeillet gives the impression to be a soliflore carnation, the Louis is more of an aldehydic boquet with carnation as the leading flower. In the Mâitre Parfumer et Gantier carnation Soie Rouge, where fruit and rose are more predominat an its also less spicer. Haven't tried my sample of Aedes de Venustas Oeillet Bengale yet but I'll compare it with Royal Oeillet when I review it.

Royal Oeillet could be worn in many situations when one need a comforting, elegant and easy to wear fragrance. The fragrance is appropriate year around, but especially for late summer/fall, the sillage is medium and longevity for almost a day.

Rating: 5

Notes: Rose, black pepper, myrrh, geranium, cloves, pink pepper, cedar, bitter orange, violet leaf, sandalwood

Burberry - My Burberry

Picture: My Burberry
Photo: PR Burberry (c)

The latest Burberry release My Burberry, a creation by Francis Kurkdjian, is refering to the Burberry icon, the trenchcoat. The ribbon on the falcon is also in the same fabric as the trench.

My Burberry starts urban, flowery, like the smell of flowers struggeling in the asphalt jungle a rainy and chilly day ie the perfect condition to wear the Burberry, or when it comes to me, even better a John Partridge waxed coat. The metallic rose and freesia is skillfully contrasted with notes that reminds me of wet asphalt and fumes. The severe freshness of geranium is also glimpsing by. The blend is grounded in a clean patchouli in the high-tech contemporary  category and there is a pleasant, musky tartness dominating the base. I suppose musk is also in the basenote as the longevity is very good, up to 24 hours. The sillage is medium and is surrounding the wearer with a comforting but in the sametime interesting aura. Perfect for autumn but could be worn any season in any place.

My Burberry is not the typical Kurkdijan dense flower blend. This is sort of a powerful translucence, contemporary, artifical (in a good way) and high tech. Since all the IFRA restrictions many fragrances became transparant, fleeting and with inferior lastingpower. Now it seems as the transparent cathegory has received more strength and power. I guess (I'm no expert) it has do to with the technological development of fragrancecomponents due to restrictions.

Picture:  Cara Delevingne and Kate Moss
fronting My Burberry
Photo: PR Burberry (c)

There are notes/accords in My Burberry which reminds me about some other pleasant fragrances, both british by the way. The first one is another Burberry favorite Burberry Body (swe), with variations Body Edt and Body Tender Edt the metallic rose and the texture, from Penhaglions Vaara which is a spicy floral oriental blend, the special refreshing fruity-spicy quince-note. Compared to Burberry Body, My Burberry is easier to wear (but not less intresting), Body is sort of a more difficult character. I've to confess that I fell hard for My Burberry, the fragrance is very versatile and comforting, in tune with its time. My Burberry is ageless in style which is  consciously or unconsciously reflected  in the campaign featuring top models of two generations: Cara Delevingne and Kate Moss. One of the best releases of 2014 taken both mainstream and niche segments in consideration. This will be a contemporary classic.

Rating: 5

Notes: Sweet Pea, bergamot, mandarin, geranium, freesia, quince, rose, patchouli

Vero Profumo - Rozy Voile d'Extrait

Photo: Mr Parfumista (c)

Rozy Voile d'Extrait is another version of rosy Rozy theme created by swiss perfumer Vero Kern. Rozy EDP is reviwed in the previous entry. The Rozy fragrances are inspired from the passiontaed italian actress Anna Magnani.

Rozy Voile d'Extrait starts flowery sweet, with a blast of natural smelling, nectarious tubereuse, supported by rose. The tubereusenote reminds me much of the honeyed tubereuse in the beautiful Annick Goutal soliflore Tubéreuse. Even if emphasing another flower, also Maria Candida Gentile Hanbury comes to my mind in the first stage of Rozy Voile d'Extrait, probably the honeyed texture. After a while, Rozy Voile d'Extrait turns in an almost animalic accord when a pleasant dry, furry, horeslike note appears. There are also some slight earthy, dirty notes contrasting the sweetness. One should not be sacred of the melonnote mentioned among the ingredients. It's not the despised calone and I can't smell it as a separate note. Probably it's just supporting and sparkles the mix up with some fruity freshness. When Rozy Voile d'Extrait reaches the basenotes, it is still sweet but more vanillic/balsamic/resinlike and darker in its character than in the earlier stages. In the basenotes Rozy Voile d'Extrait reminds me of another sweet swiss beauty, Andy Tauers Le Maroc pour Elle. Mr Parfumistas spontaneus comment about Rozy Voile d'Extrait smelling it first after ca eight hours after application; "it smells very oriental, as you have rolled around in myrrh".

Compared to Rozy EDP, Rozy Voile d'Extrait feels more natural smelling, darker and more dense, less radianting but not shy, like the though, natural looking sister that stayed living in the countryside, hunting, riding and breeding horses. Rozy EDP on the other hand, with its rosy-cosmetic style, is the artisitc and adventurous sister who moved to the big city, working with fashion, always original styled and never without makeup. Rozy Voile d'Extract is more conventional in style and it smell more similar to several other fragrances on the market than Rozy EDP with its (to my nose) obvious reference to the original Schaparelli Shocking.

Picture: Rozy Voile d'Extrait
Photo: PR Vero Profumo (c)

Just as Rozy EDP, Rozy Voile d'Extrait has a good longevity, about 24h. The sillage is closer, just as an extrait is constructed vs an EDP, but it's no skinscent until after ca fifteen hours. Both Rozys are best for evening wear but lightly applied, they could be worn at daytime at least during the colder months. I like both Rozys very much and even if I think the EDP is more intriguing with its combination of notes and similarities to Shocking, the more conventional Voile d'Extrait smells just amazing on me.

Rating: 5

Notes: Rose, tubereuse, honey, blackcurrant, melon, coriander, nutmeg, labdanum, sandalwood, styrax, vanilla

Vero Profumo - Rozy EDP

Photo: Mr Parfumista (c)

The rose variations Rozy  from Vero Profumo are said to be inspired from the intensive (to say the least) italian actress Anna Magnani and espceially the movie The Rose Tatoo. As usual the fragrances from Vero Profumo is created by the founder of the house, Vero Kern. Today my impression of Rozy EDP and in the next entry, Rozy Voile d'Extrait.

Rozy EDP starts with an accord that reminds me of the honeyed flowery/rosy a bit lipsticky in texture start of the clasic  Shocking by Elsa Schiaparelli. But after a while Rozy EDP takes its own track, a delicious, fruity, golden nectar, honey and rose. The passionfruit, characteristic for the EDP:s of Vero Kern is deeper, denser and more gentle than in for example Rubj EDP or Kiki EDP. Something original with Rozy EDP is the mix peach, rose, honey and lilacflowers which gives the fragrance its own, original characteristic, its texture is almost inky and the smell has also some similarities (cold, wet metallic) with fluid ink. As a contrast, a soft, smoothing sandalwood is interacting. In the basenotes there is an animalic, dirty quality, powdery almost like putty in texture, a combination that I like very much, present also, but much more powdery, in fragrances as Etat Libre d'Orange Putain de Palaces and Huitéme Art Poudre du Riz. Overall, the resemblance with something that could be a contemporary and more sofisticated (at least compared with current EDT, haven't tried the vintage perfume) Shocking by Schiaparelli lingers during the whole drydown. In the basenotes something that  vaughely reminds me of a flowery version of Amouage Gold Extrait in the older formula is also present as also a resemblence with Antonio Visconti Rose Savuage.

Picture: Rozy EDP
Photo. PR Vero Profump (c)

Rozy EDP is a beautiful, retrostyled rose that distinguishes itself among other dark, dramatic roses. Longevity is very good, traces are left unfragemented almost 24h later. The sillage starts big but lingers to close and in the end to a skinscent. Rozy EDP could be worn year around even if I think it would be great for the colder season or for chilly summerevenings.

Rating: 5

Notes: Rose, peach, passionfruit, honey, lilac, hyacinth, tarragon, sandalwood, powdery notes

Favorite Orizas

Picture: The crest of Oriza L.Legrand
Photo: PR Oriza L.Legrand

As mentioned before, as I like retrostyled fragrances, the fragrances of Oriza L.Legrand are among my best findings during the latest years. The Oriza fragrances are all wellblended, of a good quality and which to prefer is not a matter of uneven quality among the fragrances, it's just ones personal preferences. My top three favorite Orizas (so far) are:

Oeillet Louis XV "The Oriza Carnation"; powdery, tart light caranation
Rêve d'Ossian "The Oriza Amber"; balsamic, tender, comforting
Horizon "The Oriza Patchouli"; very well rounded patch, one of the best patchoulis on the market

But I also would be pleased to wear:

Relique D'Amour "The incense Oriza"; incense in the colder, green pine-y, sub-family
Déjà le Printemps "The green Oriza"; crispy, springtime bulbflowers
Jardins D'Armide "The powdery Oriza"; an esteemed member of the elegant ladylike, aldehydic family

For Mr Parfumista

Chypre Mousse "The chypre/fourgé Oriza" The best Oriza so far, very original, no smell alikes (from what I have smelled) expect Kerosene Creature which has some similar notes, but not as balanced as in Chypre Mousse.
Vetiver Royal Bourbon "The vetiver Oriza" One of the very best vetivers on the market.

Chypre Mousse is the favorite of the very picky Mr Parfumista followed by Royal Vetiver Bourbon.
Looking forward to the coming recontructions/recreations from this quality house.

The Orizia L.Legrand fragrances are available at Fragrance & Art as also the Oriza L.Legrand  webshop.

Serge Lutens - L'orpheline

Picture: L'orpheline
Photo: PR Serge Lutens

L'orpheline is the latest fragrance from Serge Lutens and it's a part of the square (spary) bottles line, sometimes also called the exportline. As the black label indicates, its a stronger concentration, and more expensive than the whitelabeled bottles. Perfumer is Christopher Sheldrake, the former inhouseperfumer of Serge Lutens, now also with Chanel. As with most of Lutens latest creations, there is a backstory to L'orpheline which has it's background in Lutens childhood, the relation to his mother and his analyze of his feelings of the time.

L'orpheline starts with an almost refreshing combination of aldehydes, a cold, woody,almost green incensenote similar to pine. After a while it becomes warmer and light woody, herbaceous and as the fragrance further dries down, a peppery twist of the incensenote similar to the one in Parfumerie Gènèrale L'Eau Guerrière, appears but only with a fraction of the strength of the latter. As the drydown goes furhter on, a comforting, slight soapy note appers, soften the incense without any sweetness. There is also traces of the chilly, fresh pinelike incensenote from the initial blast of L'orpheline, a note which is also present, but stronger, in Robert Piguet Oud and in Oriza L.Legrand Relique D'Amour. The dominating accord in the middle of the fragrance is this simple but beautiful combination of fresh incense and soapy aldehydes.

Reaching the base the special pleasant slight wet, powdery, putty and musky note appears which I like in creations as Chanel 1932 and several other good contemporary fragrances, here is the link to a special post about this basenote. In L'orpheline that special note is combined with incense and creates an alternately chilly and tepid impression. Overall, L'orpheline in its latest stage reminds me very much of Chanel 1932, without jasmine and with more incense. And probably is that not a coincidence taken Sheldrakes role in both houses into account.

L'orpheline is a subtle, lowkey skinscent with low silage. Longevity for a day but a bit weak in the latest stage. Office-appropriate but also casual mostly for intellectual leisures as visiting an art exhibition or a classic concert. L'orpheline is a fragrance for contemplating and situations that require some sort of tranquility. First it not seems very original as there are traces of other fragrances, but  when worn and properly evaluated, this is in my opinion a new way to treat incense, in a low key, comforting way. Anyway L'orpheline is intriguing (triggering the imagination) and pleasant to wear.

Update December 2014: Cold weather makes the best of L'orpheline, it's a awesome fragrance, easy to wear, intriguing, which means that you get compliments. One of the best releases of 2014.

Rating: 4 5 (December 2014)

Notes: Aldehydes, coumarin (fougere accord), woods, ambergris, patchouli, incense, chasmerean
(notelist from Perfumeshrine as Serge Lutens doesn't reveal the notes on the site)

Carner Barcelona - El Born

Picture: Mercat del Born (Barcelona)
Photo: Maria Rosa Ferre (cc) ,
Wikipedia commons, some rights reserved

El Born is the latest addition in the Carner Barcelona line which is inspired  from different parts/aspects/moods and of course scents from Barcelona, both from the present and the past. El Born is inspired from the streetlife, scents and views of the old, touristcrowded El Born quarters, surrounding the market place.

El Born starts with slight citrusy and tart herbal notes contrasting to sweet, edible, pastry notes, the angelicanote is not as obvious as in Guarlain Angelique Noir it's a more of a light weight interpretation. After a while a delicious smell of a dry almondcake appears, it's not the liqueur-like amarettonote, this is the note of ground almonds for a cake. The fignote is not the lush fruity one of for example Diptyque Philosykos, the fig is more of the leaves and the tree, with something dry that reminds me of a smoother and lighter version of the fig-peppery combination of Neela Vermiere Creations Ashoka. In this stage, El Born as a whole, rests in a balsamic, light spicy comfort.

In the basenotes the balsamic-resin comfort still consists and a smooth, even if a bit peppery, sandalwood emerges. There is also an unexpected twist with an accord which smells slight liquirice/anice-like (even if not present as notes) and which add a contrasting chill in the warm balsamic base. This anicelike reminds me of a similar treatment of the note; it reminds me of the base of Atelier Cologne Mistral Patchouli but in the latter, the anice-like aspect is interacting with patchouli instead of balsam and soft woody/spicy notes. The longer El Born dries down, the more I smell the connection to Mistral Patchouli.

Picture: El Born
Photo: PR Carner Barcelona (c)

El Born is a very good representative of the comforting, contemporary, casual, chic style of  Carner Barcelona. To my nose El Born in style most resembles the light spicy, sort of café-atmospheric Rima XI. Just like these comforting scents, El Born is easy to like, smooth as cashmere, a true wrist sniffer with an almost calming influence on the wearer, at least if the wearer is me. The slilage is close, the longevity for over a day and its suitable both for casual (a perfect perfume for shopping, with a break at some fashionable café) and to comfort duirng a though day in the office. Even if the warm and comforting character makes it well suited for autumn and winter it also smelled great during the hot, humid summerdays when I tested El Born. To finsh the praise: The more I try El Born, the more I like it. It's not love at first sniff but this fragrance wins in the long run.

Other fragrances that reminds me od El Born in their style is The Different Company Oriental Lounge (swe) and Frederic Malle Dries van Noten but I percieve El Born as less sweet than the latter.

Rating: 5

Notes: Lemon, bergamot, angelica, honey; fig, heliotrope, benzoin, jasmine, vanilla, peru balsam, sandalwood, musk

Top summerfragrances 2014

Picture: One of the Small Towers on Frederiksborg Castle, 
ca 1834-35
Painting by Christen Köbke (1810-1848)
Wikipedia commons

The summer up here in the North was cold from late May and whole June. In July thankfully the warmth appeared and is still present in August with an intensive heat, a very warm, humid weather around 30 degree Celsius. This reflects the list of what I've liked in particular this summer ie very different styles.

Un Bateau pour Capri (Eau d'Italie): This dark, purple, velvety, aldehydic, fruity, flowery creation blooms wonderful  in the ot humid weather. My top find from my sample testing for the blog this summer.

Montecristo (Masque): During the cold first part, the spicy, dirty, animalic Montecristo was a comforting and warming choice. A very big fragrance in the old YSL Opium style. Also tried it when it was quite warm, 20-25 degree Celsius, and its sillage was tremendous and I got positive reactions (belive it or not :-)

Rosamunda (Laboratorio Olfattive) and Rose Anonyme (Atelier Cologne): Both refreshing fragrances in the cool, pink rose-patchouli-oud genre. Very close to each other where Rosamunda is a tad sweeter in its earlier stages and Rose Anonyme a bit woodier. When they have dried down on their scentstrips, I can't tell them apart. Both these fragrances smells much better when worn in the fresh sea-air of the archipelago compared with when worn in the city. Both fragrances shows more notes and another dept by the sea.

Mistral Patchouli (Atelier Cologne): A lighter, daytime, casual, herbal version of the discontinued Dior Midnight Poison. Almost the same, stripped down, dark, patchoulinote as in Midnight Poison. Fresh in a pleasant, non-laudery way. The grapefruit-anice-patchouli is suprinsingly a very good match.

Philosykos (Diptyque): This creamy, woody, fig is so refreshing and easy to wear. Was my staple during a vacation on Ibiza in June. Philosykos is the mediterranean for me, especially Greece of course, but it mixed suberb with the dry, pine infused Ibizian air.

Ciel (Amouage). I like the old Amouages best, the newer are not as "grand". Even if good fragrances, the newwr seems a bit anxious and flattened, afraid not to please an extended audience compared to some years ago. Ciel is a symphony of watery, white flowers which projects beautiful in warm and sunny weather. Easy to wear, a happy and elegant fragrance

Eau de Cologne d'Orange Verte (Hermès): A summerwardrobe staple, the most versatile of them all. Also the current formula is very good, more emphasis on the oranges than in the old (even better) mossy grounded one.

Horizon (Oriza L.Legrand): I love patch in the summer, the earthy, herbal smell is cool and refreshing. Even if Horizon is a patchouli grounded in honey and amber it developes surprisingly well in hot temparature. A beautiful, natural smelling tobbacco note is particularly present in warm tempratures.

Relique D'Amour (Oriza L.Legrand): A cold, light flowery, pine incense which performs excellent in hot and humid weather. It's refreshing and not as dark, bold and dense as for example the incensestandard Comme des Gracons Avignon which is too much for me in the summer.

Oriza L.Legrand -Vétiver Royal Bourbon

Picture: The great vetiver  Vétiver Royal Bourbon
Photo: PR Oriza L.Legrand (c) 

Vétiver Royal Bourbon is another sucessful reinterpretation/reconstruction of an old (1914) Oriza L.Legrand formula. As usual conducted by Oriza the co-owner, perfumer Hugo Lambert.

Vétiver Royal Bourbon starts with uplifting notes who complements the gingerfacet of vetiver and the impression is fizzy, sparkling almost gauzy. The imagined color is bright green. As Vétiver Royal Bourbon dries down, the darker, almost juicy-rooty-grassy aspects steps forward and the imagined color is medium green-grey in a velvet texture. A smooth, natural dry, spicyness also appears. When reaching the basenotes the multifacetted vetiverblend finds its stable foundation a slight smoky, boozy  base. Here an ambery brown has joined the imagined color of the fragrance.

Vétiver Royal Bourbon is an extraordinary vetiver. It's dense but not in a heavy or cloying way and it smells very natural as I imagine oils of the highest qualties of the vetiver grass are smelling. As mainingredient for the fragrance the finest and rarest vetiver from Réunion Island (Isle de Bourbon) also is used. Compared to the gold standard true vetiver "solivetiver" Les Nez Turtle Vetiver Excercise 1 by Isabelle Doyen, Vétiver Royal Bourbon is in the same leauge. Comparing the two, Vétiver Royal Bourbon is a more polite and civilized take on the natural smelleing vetiver,  comfortable chit-cating in the royal salons whereas Turtle is the the noble savage  the entering from the huge forest. Just as Turtle, Vétiver Royal Bourbon isn't as diluted as the bulk of vetiverfragrances avaible today, it feels like there are a higher concentration of the vetiveroil in both these excellent fragrances. Vétiver Royal Bourbon is a vetiver for lovers of the real thing, not the common, diluted versions of the note. A true gem.

Picture: The perfect match for Vétiver Royal Bourbon, 
the newly installed Bourbon (Borbón) king ,
HM King Felipe VI of Spain.
Photo borrowed from the net, photograph unknown. 

The review is based on wearings both by me and the vetiverconnoisseur Mr Parfumista, whos top vetiverfragrance of all times is the above mentioned Turtle Vetiver Excercise 1. Despite the similarities with the Turtle, Mr Parfumista is strongly considering adding Vétiver Royal Bourbon to his collection and that´'s a good rating as he very rarely buys a full bottle, the latest was by the best Oriza of them all, Chypre Mousse. Vétiver Royal Bourbon is classified as unisex and it is, even if I think it's leaning to the masculine side. Beeing a vetiver, the fragrance is exceptionally suitable for dressed up occassions but is also appropriate for office or as casual-chic. The longevity is good, about a day and the sillage is pleasantly present.

Rating: 5

Notes: Peppermint, thyme, vetiver, labdanum, iris, sandalwood, juniper, leather, styrax, immortelle, tobacco, oakmoss

Editions de Parfums Frederic Malle - Eau de Magnolia

Picture: Magnolia × wieseneri 
Photo: WibblyWibby (cc) Wikipedia commons,
some rights reserved

Almost everything is already said about the beautiful latest Malle release, Eau de Magnolia a creation of Carlos Beniam and I has little to add to the praise. Eau de Magnolia is inspired from a draft to an airy magnoliaperfume, created by the great Edomond Roudnitska. But in those days, we are talkning the late 19th century, the technology in pefumery (for example head-space), didn't left the same opportunities as today and Roudnitska had to set his magnolia idea aside.

To me Eau de Magnolia is quite linear but with some characteristics in different parts. It's starts crispy-airy, a bit chilly and I instantly think of the Roudnitska masterpiece Dior Diorissimo. Further in the drydown Eau de Magnolia becomes a bit warmer and turns from the initial cripsy white impression to a pale, yellow note with a light honeyed almost beerlike (malt) note. The light airy flowers are still there but the fragrance becomes sort of deeper in texture. Eau de Magnolia is more about at white and pale crispy flowers bouquet than of a soliflore of the "note de jour"; magnolia. There is also an almost bitter, dense citrusnote discretly following through the top and middleaccords, probably the bergamot. In the later stages I smell a wellbalanced vetiver and some moisty mossy notes. There is also the high, bright, airy, chemical note, typical for contemporary fragrances, present in both niche and mainstream releases. Besides Diorissimo fragrances such as Elie Saab L'Eau de Couture (even if emphasising other flowers and sweeter, the texture is similar fresh, airy and a bit chemical) and Serge Lutens La Vierge de Fer (even if this one is more formal and has an almost metallic vibe).

Picture: Eau de Magnolia
Photo: PR Editions de Parfums Frederic Malle (c)

Eau de Magnolia is a very feminine fragrance and it makes me think of cool, blonde, natural beauties such as Ingrid Bergman or a bit more styled ones as Grace Kelly/Princess Grace. The fragrance is very versatile, easy to like (I guess it will be a bestseller, a new Carnal Flower) and could be worn for any daytime occasion. Longevity is good for such a light fragrance, for more than a day liberally applied. Eau de Magnolia is relaxing, undemanding and just beautiful, something to wear when you not need to be challenged from your fragrance, just smell good. The unchallening nature of Eau de Magnolia is also the only drawback with the fragrance, just smelling divine is sometimes a bit booring.

Rating: 4

Notes: Bergamot, magnolia, vetiver, patchouli, cedar, moss, amber

Annick Goutal - Un Matin d'Orage EDP

Picture: Gardenia flower from the gardens at Monticello
Photo: Queerbubbles (cc) Wikipedia Commons, 
some rights reserved

Un Matin d'Orage EDP is a reinterpretation of the 2009 Un Matin d'Orage EDT (swe) by Annick Goutal. As with most current Goutals, the perfumer is Isabelle Doyen together with the late Annicks daughter, Camille Goutal.

Un Matin d'Orage EDP is a character of it's own, it's an ozonic, crispy white flowerfragrance, gardenia, tubereuse and magnolia are the mainplayers. This is not the usual interpretation of the theme  the flowers, are somehow paper-dry in their structure but in the same time they express an ozonic, slight moisty character, like the texture and light vanillic smell of old books. Un Matin d'Orage EDP is quite linear even if the flowers is dominating in the beginning and are balanced in a smooth woody-light vanillic accord, probably the sandalwood, in the base.

The main difference compared to the EDT to my nose is that the EDP is more flowery and a tad sweeter from the warm woody vanillic note. The EDT on the other hand is more radiant, bubbly, fizzy and it's maincharacteristic is a peppery note that follows through the whole dry down. If applying the EDT to liberal, the peppery note takes over and sort of unbalances the fragrance. Overall the EDT is woody in character, with support of the gardenia/tubereuse, where the EDP emphasises the flowers and the pleasant sweetness described above, the pepper playing just a discrete, supporting role.

Picture: Un Matin d'Orage EDT & EDP
Photo: PR Annick Goutal (c)

When comparing the concentrations, the EDP is a safer fragrance, closer to skin, more wellbehaved and easier to wear than the more radiant EDT and I suspect the EDP will be the best selling (and a bestseller!) concentration of the two. The EDT is more of a complicated, dominating and challenging personality which has to be handled with care. The lastingpower is for more than a day for both Un Matin d'Orage concentrations and both are perfect for summerdays, both for casual and for work.

Rating: 5 (EDP), 4 (EDT)

Notes: Tubereuse, magnolia, vanilla, myrrh, guaiac wood (and I suspect that many of the notes from the EDT version is still present as for example gardenia and a small dose of the fizzy, peppery ginger.