Jardins d'Écrivains - La Dame aux Camélias

Picture: Marie Duplessis (1824-1847)
Watercolor by Camille Roqueplan (1802-1855)

La Dame aux Camélias from french nichhouse Jardins d'Écrivains is something so unusual as a Cologne de Nuit, a cologne to be used for bedtime pleasures. Of course any type of light fragrance could be used if one have the need to be perfumed round the clock but La Dame aux Camélias seems to be perfectly composed for the purpose as it not has the effervescent and uplifting effect as citrusdominated colognes.

La Dame aux Camélias starts with classic orangeblossom cologne notes blended with green and supported with a very smooth cardamom. The impression is that of  freshly laundered high quality linen sheets but without any contemporary detergent note. After a while an accord of delicate, subtle a bit oldfashioned (in a good way) and chilly flowers joins. The scent is clean but underneeth there is something almost on the verge to dirty, light animalic and maybe it's the indolic facet of orangeblossom that makes itself known combined with the musk and powdery tonka of the base. La Dame aux Camélias is a fragrance that triggers the imagination, I can well imagine that this was the scent of the exclusive linen sheets of the real Dame aux Camélias, the courtesan Marie Duplessis who also was the mistress of Alexandre Dumans the younger and the model for Marguerite Gautier in his novel La Dame aux Camélias (1848).

Beeing a colognestyled fragrance, La Dame aux Camélias should be applied liberally and if so, it lasts for a day, anyway if the weather is rainy and the conditions are humid. La Dame aux Camélias is intruiging and in the same time easy and pleasant to wear, entirely officefriendly. And the genereous 250 ml bottle is so beautiful....

Picture: La Dame aux Camélias
Photo: PR Jardins D'Ecrivains

Those who like fragrances such as Prada Infusion de Fleur d'Oranger, Guerlain L'Heure Bleue Edt and Parfumerie Générale Corps et Ames Eau de Toilette Apaisante will probably also appreciate La Dame aux Camélias.

Rating: 4+

Notes: Verbena, cardamom, orange blossom, violet, rose, camellia, tonka bean, musk, juniper wood

Thanks to Fragrance & Art for the sample of  La Dame aux Camélias

Robert Piguet -Alameda

The Femme fatale spirit of Alameda - Salome
oil on canvas by Franx von Stuck 1906
Wikimedia commons

Alameda by Aurlien Guichard is a strange and intriguing fragrance from one of my favorite houses Robert Piguet. Alameda is classified as a floral chypre but it also has traces of animalic, gourmand and aldehydic accords.

Alameda starts in a classic animalic-floral-chypre way but in a contemporary interpretation of the style of for example Estee Lauder Knowing and Montana Parfum d'Peau. The animalic note is relatively clean, it's somehow like the smell of a new fur. But soon the chypre impression is dimmed with an almost gourmand, dry, light spicy, cookie accord. As the fragrance moves further a light powdery-clean-earthy-rosy almost light aldehydicstyled accord appears and this accord intesifies and different twists appears during the dry down. The earthiness of the orris is without the carrots, it's like this note has been removed.  In the basenotes, Alameda ends up in a beautiful animalic chyprebase similar to how I image Montana Parfum d'Peau or La Perla (classic) would  have smelled if these fragrances were created today.

Picture: Alameda by Robert Piguet
Photo: PR Robert Piguet (c)

Alameda is a fragrance which performs with different twists during different wearings. It's a complicated fragrance which take a wearing or two to really appreciate. Just as I want from my perfumes, Alameda is intriguing, the wearer doesn't know what will happen next in the dry down, this perfum is not about just smelling good, it's also about a challenge. To apply Alameda sparingly is a must, the fragrance is concentrated and could be overwhelming if applying too much, my preferred dose is three squirts. Alameda is classified as unisex, to me it's definitly feminine but could, as complex as it is, probably develope in a quite different way, on a man. Can't convince Mr Parfumista to try as he thinks it's a real Femme fatale fragrance.

Alameda is a rich fragrance with great sillage and longevity for 24h+. It's not the fragrances for the scentfobic office but in a fragrancefriendly surrounding, a light dose could be nice preferably during the dark and cold season. For eveing and festive occasions, Alameda is just amazing.

Rating: 5

Notes: Bergamot, rose, lily, orris, patchouli, amber, castoreum

Robert Piguet - Rose Perfection

Photo: Mr Parfumista (c)

Rose Perfection is another new creation by Aurelien Guichard the housenose of the venerable perfumehouse Robert Piguet. Before creating a bunch of new fragrances the latest years, Guichard also has re-interpreted most of the Robert Piguet classics. Rose Perfection was launched as an Harvey Nichols exclusive.

Rose Perfection starts with a quick whiff of the typical green rubberlike not which is typical for natural roseoils. Soon the fragrance transforms in a fizzy very pink velvet rose. It has a natural sweetness and the scent of the pink petals are dominating even if slight offset by just a gentle dose of the green tart smell from the stem, leaves and thorns. In other bright rosefragrances where the tart note is more distinct, the impression of the rose is more of rosewater from a wild rosebush  as for example Annick Goutal Rose Splendide and Lostmarc'h Iroaz. Rose Perfection is far away from this wild roses, Rose Perfection is a highly cultivated rose with an impressing pedigree growing in the symmetrically designed garden of a french renaissance castle. In style and apperance Rose Perfection reminds me of Serge Lutens Sa Majesté la Rose another elegant pink rose primarily focusing on the delicate rosepetals instead of the rose as a whole. The beautiful, perfect, almost airy clean rose of  Rose Perfection is said to be a blend of different matching notes from destilations of different types of roses. A slight musky base supports and highlights the rosy perfection.

Rose Perfection is perfect for summer, capable to manage even a warm day as it has a great longevity (24h) and stays lightly on my skin also after the morningshower. The sillage is medium and it blooms beautiful a summerday. I'm also convinced that Rose Perfection will do well  also during the colder month especially as the rose has a soft, almost velvet character and not the lighter texture of rosewater.

To me Rose Perfection is the rose equivalent to Robert Piguets beautiful  interpretation of orangeblossom Blossom and just as the latter, highly addictive. Both fragrances are bright, happy, sparkling and in the same time comfortable, relaxing and real pleasure to wear. Just perfect!

Rating: 5

Notes: Citrus, rose, floral notes, musk

Fragrance(s) of the week (31-35) 2013 - Worth waiting for....

Picture: Just varnished vintage Grythyttan A2:s  *)
outside the archipelago house, July 2013
Photo: Parfumista (c)

Most of the summer is gone and so is also most of the vacation. But there is still warm and wonderful summer outside and mostly I'm wearing light and easy to wear fragrances.At the moment I'm not especially intrigued of new releases but there are some that triggers my interest from fragrances that will be launched this autumn and I hope I get the opportunity to test at least some of:

Parfums de Nicolaï: At least two oud fragrances aimed to the Middle East market. Oud and the technical skillful Patricia de Nicolaï can't go wrong.

Serge Lutens: As usual the Exclusive of the year from SL is worth waiting for. This years Iron maiden, La Vierge de Fer which is said to be a hard, ironlike lily with incense, seems promising.

Mona di Orio: As Monas perfums are among my most treasured, I'm of course intrigued by the Les Nombres d'Or La Violette Fumee even if I suspect it's leaning more to the masculine side.

Andy Tauer: Seems to experimenting with some exclusive roseextract from Afganisthan in order to release a rose centred perfume before Christmas. Roses from Andy is must haves, as most of the other fragrances also.

ByKilian: The fourth fragrance of In the Garden of Good & Evil collection Playing with the Devil will be launched during the autumn. I hope this one will be dark and dangerous in stye compared to the very wearable, well-behaved and well-crafted first three fragrances of the garden-line.

Robert Piguet: Always awaiting news from one of my all time favorite houses Robert Piguet. Insomnia, judged from the name this seems to be a truly  mysterious fragrance. I'm thankful for the extensive efforts of the Robert Piguet CEO Joe Garces to restore and further develope this fine perfumebrand. Here is an very interesting post from CaFleureBon describing this work.

Neela Vermiere Creations: The new Ashoka by Bertrand Duchaufour seems to be very good according to reports from the lucky ones that have the opportunity to test it. And Mohur Extrait will certainly be something that I like.

Update mid-August: Puredistance Black: A new Puredistance is annoncued for December and this is really something to looking forward to. I love this house, a dark follower to the terrific I, Antonia, M and Opardu is just great. Already planning for a review....

Which new releases are you looking forward to?

*) Grythyttan A2 is one of the most (if not the most) classical swedish garden furniture, the A2 chair and table was designed to the Stockholm exhibition 1930 and are still produced. The set on the picture is from the late 1940s/early 50s and have since then stood the test of the sometimes hard weather of the archipelago with just minor repairs and varnishing.

Robert Piguet - Bois Bleu

Picture: Bois Bleu in its stylish, classical
Robert Piguet bottle 

Bois Bleu is created by the (almost) in house perfumer Aurlien Guichard for Robert Piguet and is the latest addition (spring 2013) to the Nouvelle Collection from 2012. Bois Bleu is classified as an unisex woody aromatic fragrance.

Bois Bleu starts with a intriguing blend of citrus and bergamot. The accord is somehow muted, it's note the sparkling, sunny a bit bitter uplifting accord which has evaporated when the topnotes are gone, but a sort of massive, much deeper accord which in texture and apperance, even if not so close in the citric smell, reminds me of the start of Mona di Orios Lux (swe) but more masculine. My first impression is that, just as with the aromatic NoteS of the Nouvelle Collection, Bois Bleu leans to the masculine side on the unisexscale.
But as always with Piguet fragrances, many things are going on and suddenly Bois Bleu becomes less aromatic and more spicy as a delicious note of nutmeg appears and take the centerstage still with the muted citric notes accompanying. The nutmeg is balancing a dry, non-sweet violet which is almost woody in character, Threre is nothing of the sweet, candy like violet or the more green violet with violetleaves which are the most common interpretations. The citric,violet,nutmeg trio is underscored with a wellbalanced woody base of vetiver, sandalwood and cedar where I think the warm and slight sweet character of sandalwood comes very well to its right. Bois Noir is subtle and engage the wearer during the whole dry down. The overall impression remains, despite the warmer, spicier part in the middle, that Bois Bleu is a more masculine in character but women searching for an aromatic fragrance should not hesitate to try it.

Trying Bois Bleu on Mr Parfumista the fragrance appears in a different way. The separate notes are much more distinct and the whole fragrance is brighter and somehow fresher. There is something in the mix and in the general impression of Bois Bleu there that on Mr Parfumista smells like a 2010s styled, refined and dimmed version of the wonderful Zino Davidoff from the 80s but without the distinct patchouli of the latter.
   
Just as its companions in the Nouvelle Collection, Bois Bleu is a fragrance of its own even if there is something familiar in the overall aura and some traces in common with two other Nouvelles: The nutmeg from Casbah and the sandalwood from Bois Noir. Bois Bleu is more discrete than the powerful Bois Noir, the sillage is medium but the longevity is very good, traces are still there after 24 h.

Rating: 5 (on Mr Parfumista) 4 (on me)

Notes: Bergamot, citruses, nutmeg, violet, sandalwood, cedarwood, vetiver

5 top green summer fragrances

Picture: Crowded on the waterway to Stockholm in July
Photo: Parfumista (c) 

As I wrote in a post recently, I'm perfumwise, in tune with the season this summer i.e I don't long for the darker and heavier fragrances of autumn/winter which is quite common for me. This summer is green in different interpretations to me and even if I don't have time to wear all the fragrances mentioned, there is always some new samples in waiting for test, I sniff them regulary and ensure that the rest of the family wears some of them.

Coton Egyptien (Phaedon): Finally, thanks to Mr Parfumista and the kids who used up my sample, I get this elegant, casual, galbanum light, freshly ironed, high quality crisp cottonfabric fragrance. There is no detergent vibes in this as in for example Serge Lutens L'Eau Serge which is a perfume in a similar style but with a chemical (in a positive way) apperance. The Phaedon line is re-packing in new bottles and it seems as Coton Egyptien is discontinued as it doesn't appear among the re-bottled fragrances. At present Fragrance & Art sells the Phaedons in the old bottles, among them Coton Egyptien, to a reduced price.

Vent Vert (Pierre Balmain): The soapy, slight salty, light musky notes combined with galbanum of the current version reminds me of the archipelago, more particulary the wood-fired sauna with the following bath in the cold seawater. My appreciation of the current version is growing, I like it as much as the older, sharper, more elegant version.

Cologne Friction (Parfums de Nicolaï): This gentle, crisp, grassy cologne is like sunwarmed grass added with a light accord of the non-cocnut classical austrian sunscreen Snikk. I think Cologne Friction is on my top summer fragrances list almost every year, it is so relaxing and versatile. Unfortunately it seems as it's discontinued when looking at the new Parfums de Nicolaï website.

Vetiver (Guerlain): Mr Parfumista wears both one of the later Edt versions and a vintage Edc. Both are great (even) for summer. The Edt version (with better longevity) is a bit soapy, with a lighter touch of vetiver, in the Edc the vetiver is more concentrated, smells almost as, but not as strong, the pure vetivernote in LesNez Turtle Vetiver.

Cristalle Eau Verte (Chanel): Another underappreciated Chanel IMO. This slight flowery, herbal, watery-green fragrance reminds me of a chilly and refreshing vermuthdrink loaded with icecubes a hot summerday. Perfect casual chic for work during the summer.

Fragrance(s) of the week (30) 2013 - About Mitsi

Picture: Autumn Red peach
Photo: Jack Dykinga, USDA, Wikimedia Commons

Earlier this week I performed a side by side comparasion between the current version of Mitsouko Edp and an earlier version about 10 years old (golden box with yellow fields). The overall impression is similar but I perceive the current version as brighter and thinner in texture, the peachnote is also a tad less ripe. There is also a note close to light vetiver in the base, probably some mossubstitute as I recognize this note from some contemporary chypres and such as Grossmith Golden Chypre. The older version is deeper, darker, moistier and mossier and the impression is more "old-styled". The peachnote is more ripe and light spicy, the base is darker and mossier.  The longevity is about the same for both versions.

I like both versions and just as with the Edt I think that the modern version is more wearable as it is better suited to the tastes of the 2010s, despite retro in style compared to most of the current fragranceofferings. The older version is more oldstyled and reserved for the days when the retromood appears. Overall the new version is a wellcrafted fragrance more intriguing and special even than most of todays niche-offerings.

Boucheron - Jaïpur Bracelet

Picture: Jaïpur Bracelet
Photo: PR Boucheron (c)

The jewellery house Boucheron has been in the fragrancemarket since 1989 when the iconic floral-oriental Boucheron pour Femme was released. Even if this first release still is the jewel of the crown, the 2012
Jaïpur Bracelet, flanker of another classic from the house Jaïpur, is a very pleasant finding. Jaïpur Bracelet is created by Carlos Benaim. An earlier and now discontinued flanker to Jaïpur is Jaïpur Saphire

Jaïpur Bracelet starts with a green, slight herbal, flowery accord accentuated with orange-citirc notes which when interacting creates an almost berry tune to the fragrance which in turn softens the sharpness and warms up the coldness of the crispy flowers; Lily of the valley, hyacint, iris and carnation. If this fragrance had a color it would be medium, velvety pink, a bit darker than the color of the Jaïpur Bracelet box and bottle. From top to base Jaïpur Bracelet reminds me of a less sweeter version of the first Lalique fragrance with the same name. The Lalique contains berry and fruity notes but also vanilla and some white flowers and as a 1990 release it is bolder and with a bigger silage even if Jaïpur Bracelet has a not contemptible silage to be created as late as 2012. Instead of vanilla, sandalwood and musk as in Lalique, Jaïpur Bracelet ends up in the wellbalanced woody-musky base of cashmerean. Another fragence that reminds me of Jaïpur Bracelet is the big, bold and sparkling Dior Pure Poison (one of the three cretors of this is Carlos Benaim) but compared to Pure Poison, Jaïpur Bracelet is almost low-key.

Jaïpur Bracelet is the ultimate comfort scent, a real wristsniffer, an uncomplicated but well composed fragrance that brightens up the most gloomy day. As Jaïpur Braclet is not too sweet and with an excellent longevity, 24h+, it's perfect to wear in warm and sunny summerdays.

Rating: 4+

Notes: Basil, violet leaves, lemon verbena, bitter orange, petitgrain, hyacinth, lily-of-the-valley, carnation, iris, cypress, cashmeran

Teo Cabanel - Méloé

Picture:Hay Harvest at Éragny by Camille Pissarro 1901,
Wikimedia commons, (cc) some rights reserved (PD-1923)

Méloé is created by perfumer Jean-Francois Latty for the perfumehouse Téo Cabanel. This house were originally started in Algiers in 1893 but moved to Paris 1908. The house were re-started 2005 and have launched several new fragrances since then, most famous is the floral-oriental Alahine.

Méloé start with sparkeling citrus-/mandarinenotes, offsetted by a slight bitter (in a good way), powdery bergamotnote. There is also a touch of herbal and spicy notes, nutmeg is appears clearly to me and also a touch of basil. Méloé is fresh but not in a chemical or sweet way and the florals seems equally balanced with herbs and spice and the fragrance feels somehow natural and wellblended. There is also an almost watery-floral touch to Méloé, like in Oscar de la Renta Live in Love and By Kilian Water Calligraphy, but in Méloé the watery impression is much more subdued, even if still there, than in the two related fragrances. In the basenotes there is a white musk supported by mossy and woody notes, which deepens the fragrance in a bit darker nuances of green. All together, Méloé to me is a sort of aromatic-floral, not fruity-floral as I have read somewhere. 

Picture: Méloé in its stylish bottle.
Photo: PR Parfums Téo Cabanel

Méloé is an upliftining, surprisingly longlasting fragrance.The blend is specified as an Eau Légére, which is supposed to be lighter than an Edt, but I can smell whiffs of it after almost 24h on skin and on fabric some days after the day I was wearing it. Méloé is suitable for daytime wear, especially for spring and summer, but also, as lighter fragrances lasts better in autumn/winter, for days when longing for something lighter during the darker and colder.

Even if Méloé bears similarities with other fragrances in the light, refreshing, floral genre it has its own identity, the green herbal tinge and slight bitter (in a positive way) note.

Even if not similar fragrances but similar in expression, those who enjoy De Bachmakov (also herbal notes) from The Different Company, Dior Escale à Pondichéry (the flower and spice) and Chanel Cristalle Eau Verte (the green, slight bitter flowers) also could like Méloé.

Rating: 4

Notes: Bergamot, mandarin, lemon, lavender, basil, neroli, orange blossom, jasmine, nutmeg, musk, moss, amber, woody notes

Fragrance(s) of the week (29) 2013 - Green &herbal

Here we are in the middle of the summer.Almost every year I have started long for the dark orientals of the autumn & winter by now but this year I'm more in tune whith the season and like to wear herbal and green perfumes such as:
 My SOTD Reverie au Jardin a bit neglected and forgotten Tauer.Green incense  lavandel herbal dry beauty, the always so wearable Cologne Friction from Parfums Nicolai, the salty, musky galbanum of Balmain Vent Vert (I appreciate the new version more and more) and the cotton clean galbanum of Coton Egyptien from Phaedon. Overall I like the unsweet and natural in style fragrances at the moment but theses preferences will probably change soon...

M.Micallef -Art Collection Rouge No 2

Picture: The beautiful bottle of Rouge No  2
Photo: PR M.Micallef (c), all rights reserved

Rouge No 2 in the M.Micallef Art Collection 2013 is a just as comfortable, delicious sibling to Rouge No 1. Just as the latter, Rouge No 2 is created by the Micallef housenose Jean-Claude Astier and the red stunning bottle, a variation of Rouge No 1 by Martine Micallef herself.

Rouge No 2 just as Rouge No 1 starts sweet and delicious but to my nose No 2 is less soft fruity-vanillic and  lend more to green, tangy black currant notes but with a fudgy gourmand edge. In the middlenotes a whiff of a note (not mentioned among the ingredients) that smells almost as soft non-sweet coconut occurs but the mainplayers are violet and orchid underscored with jasmine, making a more serious impression than the louder middlenotes of No 1. There is something in this stage that reminds me of a clean and proper version of ELDO Putain des Palaces. Unlike the latter, there are no dirty or dangerous notes lurking beneath and the violet-orchid combo is not lipstick-y nor powdery. Even the animalic note that appears (castoreum), is somehow clean as a brand new luxuary fur coat. Beside the animalic note also the rest of the base of Rouge No 2 is darker, with resins and less vanilla than No 1. Another fragrance that Rouge No 2 reminds me of is Poudre de Riz by Huitème Art.

Overall my impression is that Rouge No 2 are darker and the more serious, intorvert sibling of the Rouges. Rouge No 1 has a happier, easy to go and more extrovert character than No 2. Both fragrances will suit for the occasions when one have to take care of oneself and to be wrapped in Rouge No 2 is just as comfortable as to be surrounded by No 1. Just as the charcters of the fragrances, No 2 is preferred for philosophical and No 1 for more outreach activities. Rouge No 2 could be worn year around expect in sunny summerheat but is on the other hand, perfect for dark late summer evenings. Sillage is medium and longevity is for 24h. A wellblended fragrance of high quality. Rouge No 2 is just as good as No 1 but my favorite is No 1 as i find it more original and intriguing, Rouge 2 doesn't stand out from the crowd as much as No 1. I think they complement each other in a good way. Both Rouge No 1 and No 2 are well worth trying for those in search for a just enough sweet, olfactory delight of high quality. These fragrances have nothing in common with the shrill fruity-florals which could be found among some mainstream offerings.

Rating: 4

Notes: Citruses, black currant, nutmeg; jasmine, violet, orchid, vanilla, labdanum, amber, castoreum

M.Micallef - Art Collection Rouge No 1

Picture: The beautiful Rouge No 1 bottle,
created by Martine Micallef herself.
Photo:PR by Parfums M.Micallef (c)

Rouge No 1 is the first part of the summer 2013 limited edition Collection Rouge from the house of the artful and beautiful bottles and perfume M.Micallef. It's a highend fruity floral, created by the M.Micallef houseperfumer Jean-Claude Astier. The red bottles of the two Rouges are stunning to say the least.

Rouge No 1 starts soft vanillic-fruity with an accord that smells almost as smoothed red berries in creme but this is probably the peach interacting with the other notes in this very pleasant gourmand symphony. There is also a contrasting pleasant note of "dry dust on a lighted bulb" which is present in for example Mona di Orio Carnation and makes the opening quite interesting. Particulary in this stage, Rouge No 1 has similarities with the delicious creamy-berry-fruity Jeunesse from Robert Piguet which is a bit more edgy in style. In the next stage Rouge No 1 becomes more floral as also the wellbalanced white musk in the basenotes which gives a certain contrasting dept in this almost edible, yummy blend. The intresting and well balanced "dustnote"weakens during the dry down but a hint is still there in the base, something that I appreciate of course as I usually like  a"weird" twist in a fragrance.

Rouge No 1 is quite linear and confidently recognizable, with its returning but gradually evolving accords, during the dry down. Despite edible as a pastry, Rouge No 1 is not dense and thick or too sweet and therefore also suitable for summer. It blooms beautiful in warm weather, the musk anchors the other ingredients and ensures a good longevity for 12h+.  The overall impression is a fragrance constructed with high quakity ingredients with notes that are arranged in a wellbalanced harmony. Rouge No 1 is a true wrist sniffer,very comfortable and easy to wear.

Rouge No 1 could be interesting to those who like M.Micallef Ylang in Gold as they are close in style and also, there are similarities in the context (expect the patchouli) of Miss Dior Le Parfum and also the, IMO underestimated comfortscent, Chanel Coco Noir.

Rating: 4+

Notes: Peach, mandarine, ylang-ylang, rose, jasmine, vanilla, musk, benzoin

Fragrances of the week (28) 2013: Oliver & Co - Impression of the line

Picture: Oliver & Co Discoveryset
Photo: PR Oliver & Co, (c) all rights reserved

The Oliver & Co line definitly has its own natural smelling aromatic fresh style. Overall I find the unisex fragrances from the Oliver & Co house to be just a little bit more masculine than feminine in style (to use the stereotypes) probably because the absense of sweetness which I find carcteristic for the Olvier & Co fragrances as also the aromatic texture they all, more or less, have in common. Anyway, I think both genders should test these original creations.

All the fragrances are strong but refreshing and also long lasting which is not a common feature when it comes to fragrances with a high content of naturals. Those who like fragrances in the style of Commes des Garcons Incenseserie would probably appreciate the Olvier & Co line as they conveys the same impression but without incense as the line features other ingredients. My personal favorites are Mousse and Resina followed by La Colonia.

From Oliver & Co:s website there is possible to order a priceworthy discoveryset  which I think will last very long as each vial is 10 ml and as my 2 ml vials still lasts very well after assiduous testing.

Oliver & Co - Resina

Picture: Resin from pine
Photo: Meanos (cc) Wikimedia Commons,
some rights reserved

Resina is a natural smelling balsamic, spicy aromatic blend from spanish nichehouse Oliver & Co and as all the fragrances created by the owner of the house; Oliver Valverde.

Resina starts with the balsamic wowen plasternote that I like so much and which is distinct during the whole dry down in Comme des Garcons Jaisalmer but in Resina it soon withdraws from the centerstage as also a almost medical aromatic blast. Then a phase with balsamic, light spicy, unsweet caramellic and light woody notes appears, the ingredients seems almost seamless blended and the fragrances is soft and less aromatic. In this stage Resina gives me the impression of a non-sweet version of Prada Candy (swe) with a note that is very close to sandalwood (but as this ingredient is not listed it has to the skillful blending that creates this effect) instead of the sweet powdery benzoin in Candy. The overall impression of Resina is a natural smelling, warm and comforting fragrance with interesting twists from the spices and resins.

Even if wearable year around Resina IMO is the most cold season friendly fragrance from Oliver & Co. Its non-swetness makes it also possible to wear during the summer even if the warmest days should be avoided.
Longevity is great, 24h and sillage is medium. Beside Mousse, Resina until now is my favorite Olvier & Co fragrance. But who knows, further testings might change this order :-)

Rating. 4+

Notes: Tolu balsam, elemi, myrrh, labdanum, opoponax, jasmine sambac, incense, benzoin, coffee, flame tree, mace, rooibos tea, tonka bean, star anise

Oliver & Co - M.O.U.S.S.E and M.O.U.S.S.E II

Picture: Gewürznelkenbaum, Köhler
 Medizinal -Planzen, Franz Eugen Köhler (1897),
Wikimedia Commons

Mousse and Mousse II are slight different takes on a original fresh spicy clovetheme. Both are created by spanish indieperfumer Oliver Valverde who uses a high precentage of naturals in his, despite this, strong and lasting fragrances.

Moussse: Starts with a distinct scent of airy clove which is unsweet and natural in its interpretation. It's clean but without any detergentnotes despite its consistent supporting musky theme. Even if the clove is airy and transparent in texture, this fragrance is very strong and demands a light application. As Mousse dries down the clove is tamed by a soft sandalwood which perfectly balances the fragrance. In this stage there is a hint of the scent from a soft high quality carnation soap. To summarize Mousse it's the perfect spicy counterpart to Comme des Garcons excellent incense-pine creation Kyoto.   

As Mousse is a non sweet and fresh clove it's wearable also during the summer and the musky spicy clove blooms in warm weather. Mousse is also right to wear during the rest of the year, a versatile sort of timeless ( even if contemporary I can easily image a king of the baroque-era wearing this) unisex fragrance, despite IMO, just as Kyoto, Mousse is leaning to the masculine side. Sillage and longevity (24h+) are great.

Mousse II: This is an even more airy, almost ozonic take on the original Mousse. The clove is lighter and the whole scent is brighter and the fizzy fresh notes of mint and cardamom is added. There are also a strike of the crisp green lily of the valley accord from La Colonia. Overall Mousse II is more playful, brighter, lighter not as distinctive/sharp as the original Mousse and therefore easier to wear. It's also a more feminine unisex fragrance than the original Mousse. Sillage is good and longevity for a day. Etros transparant carnation with clove, Dianthus comes to my mind when wearing Mousse II even if Dianthus is more concentrated of the carnation than its clove notes

Even if Mousse is more masculine I prefer it as it is much more original and also genuinely highlights the clove. There is no attempts to quiet down the powerful clove as I perceive as an intention in the flanker Mousse II. But Mousse II is definitly a good choice for those who prefer a more blended and tuned down perfume featuring clove.

Rating: Mousse 5, Mousse II  3+

Notes Mousse: Lime, aldehydes, clove, lavander, oakmoss, sandalwood, musk
Notes Mousse II: Lime, aldehydes, clove, lavander, cardamom, mint, lily of the valley, sandalwood, ambergris, musk

Olvier & Co - Vetiverus

Picture: Vetiver (Vetiveria zizanoides) Essential Oil
Photo: Itineranttrader, Wikimedia Commons

Vetiverus is also a part of the illustrated series from spanish perfumehouse Oliver & Co. My impressions comes from Mr Parfumistas testings of Vetiverus.

Vetiverus starts bold, almost medical smelling with notes that feels very natural, like in some creations from La Via del Profumo like for example Tabac. There are also an almost mossy impresson in the start. The start of Vetiverus is masculine IMO. As Vetiverus dries down, the intial harshness softens significantly and the compositon changes to a pleasent, dark green, soapy blend. In this stage Vetiverus is unisex but overall Vetiverus leans towards the masculine and that is probably the reason why Mr Parfumista like Vetiverus better than I do. Vetiverus smells very good on him and he has even consumed the sample, something which is not usual when it comes to this picky nose.

Vetiverus, just as La Colonia, is interesting in its development and in the same time easy to wear and officefriendly (expect the intial accord). Longevity is great (24h+) and sillage is medium+.

Those who like different interpretations of vetiver should definitly try Vetiverus, it has traces from both the more sharp herbal part of them (for example the LesNez Vetiver serie) as from the soapy ones as Guerlain Vetiver and Mona di Orio Vétyver.

Rating: 4

Notes: Labdanum, styrax, vetiver, ambergris, osmanthus flower, orange peel, patchouly, musk, coriander seed, clove bud

Oliver & Co - La Colonia

Picture: La Colonia by Oliver & Co
Photo: PR Oliver & Co

La Colonia from spanish nichehouse Oliver & Co founded by Oliver Valverde who also creates the parfumes, is not a cologne IMO even if it intermediates some elements of cologne freshness. Instead La Colonia performs as an Edt with good sillage and longevity, features that is rare when it comes to light fragrances these days.La Colonia is a part of the illustrated series where an illustration of Pablo Perez Sanmartin capturing the essence of each fragrance is included.

La Colonia starts with a acquatic-citirc accord and the opening is was I like the least with this fragrance, the initial stage feels too undescript "usual-light-perfum-y".Fortunately, this stage doesen't  last long at all, after a few minutes some fersh green, herbal slight spicy notes apperas with dill as the prodominant player to me. The dill in this creation is well blanced, dill I suspect can be too sharp and overwhelming but in La Colonia it's a good contrast to the flowers and soft woody notes. Another composition where dill is used in a pleasant way is Eau de Lalique. In the dry down of La Colonia there is also a fizzy green note playing in harmony with the crisp Lily of the Valley. I suspect this note is green pepper.

La Colonia is a fragrance with interesting twists but in the same time easy to wear, fresh without any detergentnotes and very officefriendly. Perfect for summer or anytime of the year when longing for warm summerdays.

Those who are fond of fragrances in the chilly, fresh, dark green style of Patricia de Nicolaï Week End à Deauville and Andy Tauer Carillon pour une Ange will probably appreciate La Colonia.

Rating: 4

Notes: Bergamot, ozone, dill, jasmine, green pepper, lily of the valley, sandal- and cedarwood

La Colonia and the other intriguing Oliver & Co fragrances is possible to order (free shipping around the world) from the Oliver & Co website. 

Fragrance(s) of the week (26-27) 2013 - Geeky

Photo: Parfumista (c)

One of my favorite perfumerelated occupations is side-by-side testings on different themes,.For example perfumes that I think are quite similar, when testing them one on each arm, in most cases the differences are bigger than what I have percived from smelling the fragrances separately. Another interesting exercise is to test different strenghts (perfume, Edp, Edt) which  also are more or less different formulas of the same fragrances. The most intriguing test is to compare formulations from different decades to find out how a fragrance has evolved from reformulations over the years. Such thrilling exercise are waiting this summer. Last week, on the monthly perfumelunch exhanging samples with  Fragrantfanatic, I recieved some interesting vintagesamples from FF:s bargain on Tradera (swedish E-bay). Now I looking forward to compare the Madame Rochas EDC (70s) with the Madame Rochas Pdt (80s?) and current Madame Rochas Edt I have. Also the Grés Cabochard Edt is very interesting, the sample I received from the 70s to the Edt version I have from the late 90s. I know that the current forumla is pale compared to the late 90s formula, if the difference is that big also between the 90s and 70s formula, than the 70s must be impressive!

Annick Goutal - Les Colognes Vetiver

Picture: Seaside Oregon, US
Photo by Apollomelos, Wikimedia Commons

The Vétiver in the Annick Goutal Les Colognes line, is the scent that IMHO is at least similar to the original. Les Colognes Vétiver is creatred/reconstructed by Isabelle Doyen. I have read somewhere that this reconstructions in Les Cologne line could be an attempt to rescue these classics in some shape from allt the regulations but I don't know.

Les Colognes Vétiver starts with an airy, seabreeze, light vetiver accompanied with something smelling of clean, soft leather. It has nothing of the intriguing scent of soapy silver polish which is carachteristic for the original Vétiver. As the cologneversion dries down, a light touch of a citric-flowery note appears, mingeling with the light, clean leather-vetiver note. The pleasant and discrete white musk of the other Les Colognes is also present in the vétiverversion grace it with some airy radiance. Les Colognes Vétiver is subtle but still present in a comfortable and seaside impression way. A very wearable stylish, fresh fragrance, perfect both for work and casual. Sillage is close but  when it comes to longevity, talking about seaside, Les Colognes Vétiver has more to be desired, it can not cope a three hour boattrip in the inner archipelago. In office sorroundings I suspect it will last for almost a day.

To really appreciate Les Colognes Vétiver I think one have to see it as a separate creation to the original Vétiver. To me the cologne version has more in common with the airy-transparent Etro Vetiver than with the original AG Vetiver Edt.

Rating: 4

Notes: Lemon, vetiver, rosemary, sage, iris

Annick Goutal - Les Colognes Néroli

Picture: Glass vial containing Neroli Essential Oil
Photo: Itineranttrader, Wikimedia Commons

Le Cologne Néroli is, just as the original Néroli Edt, created by the housenose of Annick Goutal, Isabelle Doyen in collaboration with Camille Goutal.

Le Cologne Néroli starts with fresh, pale green orangeblossom/neroli notes. The opening is sparkling and moist compared to the Edt-version, which I suspect is discontinued. The Edt starts with the orangeblossom/neroli but  supported by notes that gives it a herbal touch. After a while  notes smelling almost as fresh mushrooms appears in the Cologne, while the same passage in the Edt smells like a well kept stable with happy horses. The Cologne Néroli has the same typical, fresh luxurary linen colognenote as Le Cologne Eau d'Hadrien and lots of other better colognes. Just as the Hadrien Cologne, there is a fine, white musk base that intermediates a moisty impression. Overall the cologneversion is more flowery and sparkling, in the Edt version the orangy notes are combined with a herbal touch. Even if the Cologne Néroli is more similar to other nérolicolognes i prefer it slightly to the Edt.

Le Cologne Néroli has better longevity on me than the original Edt. I suspect that the white musk, just as in Le Cologne Eau d'Hadrien, is the facilitator of this. The Cologneversion lasts for more than a day with fragments left after 24h and the Edt lasts for almost a day.

Those who likes Hermès Eau de Cologne d'Orange Verte, Historiae Orangerie du Roy and the likes will probably appreciate Le Cologne Néroli.

Rating: 4+

Notes: Neroli, orangeblossom, petitgrain, heliotrophe, white musk

Annick Goutal - Les Colognes Eau d'Hadrien

Picture: Kornfeld mit Zypressen, 1888/1889
Painting by Vincent van Gogh (1853-1890) 

Annick Goutal Les Colognes is a light interpretation of some Annick Goutal fragrances form where it seems as some is disappered from the line as for example the intriguing Vétiver. Les Colognes Eau d'Hadrien could be an attempt to save this classic by interpreting it in another form and texture as the citric notes has gone true many restrictions during the lastest years which has step by step transformed the original formula to something too different. The older formula in my bottle from ca Y2K, but of course not oldest formula as Eau d'Hadrien is from the early eighties, is more lemony and dense in its structure than the paler and more woody current cologneversion.

Le Cologne Eau d'Hadrien starts with citrusnotes but to my nose there are more of the notes from the orangetree than lemonnotes in this version. Also the light fresh cypress note is much more evident than in the older version. If the old version has a color it's bright, yellow as a fresh lemon where the cologneversion is pale orange-pale-green it it had a color. To me Le Cologne Eau d'Hadrien is close to a thinner versin of Dior Escale à Portofino minus the almondnote in the latter and plus the fresh herbnotes of the former. Somewhere in the middle of Le Cologne Eau d'Hadrien a pleasant, slight bitter note of lemon cores also appears. The woody musky base are wellbalanced and the musk is pleasant, watery in texture and is probably the ingredient that provides this cologne a decent longevity. I feel traces of it in the evening after applying liberally in the morning. Perfect scent both for work (very officefriendly) and casual. Summery in style but, as with the old Eau d'Hadrien,  I would recommend wearing it on sunny winter to obtain a better longevity and to get time to catch this fine fragrance.

Rating: 3+

Notes: Lemon, tangerine, grapefruit, bergamot, petitgrain, cypress, basil, rosemary, musk

Fragrance(s) of the week (25) 2013 - Midsummer

Picture:Night on the Eve of Ivan Kupala
Painting by Henryk Siemiradzki (1892)
Wikimedia Commons

This week I been strolling in a the rosegarden testing Robert Piguets wonderful pinke rose, the new Rose Perfection  varied with Ramon Monegals intriguing and long lasting variation of the light rose, L'Eau de Rose. Serge Lutens metallic slight bloody but later in the drydown jammy rose La Fille de Berlin added some drama for a day.

On Midsummer Eve I forced myself to take a break in the roseparade, wearing something more non-descript floral/grassy/hayish to match this special day, my choice was the very versatile Jour d'Hermès. Smells very good but IMO with some longevity issus, it just last for 6-8h under out-of-doors conditions.

Historiae - Violette Imperiale

Picture: Empress Eugénie (1826-1920)
Portrait 1853 by Franz Xaver Winterhalter (1805-1873)

Violette Imperiale is the only of the five fragrances released so far from Historiae that is not created by the hyperactive Bertrand Duchaufour. Violette Imperiale is created by a perfumer unknown to me, Constant Michaux. Violette Imperiale is said to be inspired by Empress Eugénie, the spanish wife of Emperor Napoleon III of France. The story says her favoriteflower was violet but as the at least two other fragrances is created for her; Creed Jasmin Impératrice Eugénie /inspired of her; Histoires de Parfums 1826 Eugénie de Montijo, focuses on other flowers/herb plants as jasmin respective patchouli she probably, as a well known perfumista of her time, liked many of the scents in the perfumers palette.

Violette Imperiale starts with an airy, transparent blackcurrant note, first the berries and then followed by the tartness of the buds. After a while, the fragrances deepens as also rich, fresh fruity notes appears followed by sweet flowery notes where the violet is evident but not dominating the others. The violet is of the same sweet type as Violtabletter, a swedish jelly candy pastille which tastes as a sweetened violet flower. The berry, fruity floral theme is intensified by the white musky base but the musk is wellbalanced and counterbalanced by the light woody notes. Violette Imperiale newer goes powdery as for example Blanc Violette by Histoires de Parfums nor crisp and green as for example Annick Goutal La Violette, it stays fruity-violet-flowery during the whole dry down

Picture: Violtabletter swedish violet jelly candy
Photo: PR Fazer (c)

Violette Imperiale is a typical easy to wear fragrance, suitable especially for spring and summer, both for work and casual. I think it's contemporary in style and doesn't see some obvious connection to the era of Napoleon III. The sillage is medium and the longevity for about a day.

Rating: 3

Notes: Orange, blackcurrant, peach, violet, iris, raspberry, ylang ylang, vanilla, musk, amber, vetiver, sandalwood

Thanks to Fragrance & Art for the sample to test

Historiae - Rose de France

Picture: Francis I (1494-1547)
Painting  1530 by Jean Clouet (1475-1540)
Wikimedia Commons

Rose de France is the fourth fragrance created by Bertrand Duchaufour in the Historiae-line.It's said to be inspired of the Francis I era in the beginning of the 16th century

Rose de France starts fruity with almost raspberrylike topnotes  blended with roses. The first impression, put in a plesant way, is the smell of a coughmedicin for chlidren which I've been medicated with as a child.After this bold opening the roses steps forward in a dry, but never overwhelmimg or cloying, potpurri-like accord.
The dry roses smells very authentic but after a while the fragrance gets moistier, sweeter and the roses alive and accompanied with other fresh blooming flowers as the dewy peony. The now fresh, medium purple pink rose  is the protagonist during the rest of the dry down. The musky base with some balsamic and patchouli touches reminds me of the creamy, very pleasant, but artifical smelling white musky base of the Oscar de la Renta Essential Luxuries line.

To me Rose de France is a pleasant rosy fragrance perfect for office- and casualwear for spring and summer. I can't see the connection with the era of Francis I as I image the roses of this century as dangerous, dark, dirty and heavy. Sillage is medium and longevity for more than a day.

Those who like pink musky rosefragrances as for example Bulgari Rose Essentielle and Burberry Body Tender could also appreciate Rose de France.

Rating: 3

Notes: May rose, damascena rose, pear, bergamot, tagetes, rose absolute, magnolia, mock orange, clove, davana, peony, géranium, listea cubeba,  benzoin, vanilla, musc, amber

Thanks to Fragrance & Art for the sample to test

Fragrance(s) of the week (24) 2013

Picture: New Robert Piguets are tempting me
Photo: PR Robert Piguet (c) all rights reserved

In the middle of my "reviewing light and summery fragrances period" I drooling over these interesting (to say at least) new Robert Piguets. I'm so curious, and soon I'll also be able to sample two of them: A perfect bright rose, Rose Perfection (even if the line already has the IMO perfect bright rose blended with powdery orris, Calypso) and a floral chypre (I love chypres) Alameda. Hopefully I also get the opportunity to test the leather Knightsbridge later on but now I'm so thrilled to dive in these two beauties, which I already know they are in advance. After all they are Piguets and this genuine house has proven to be the most versatile for me beside Guerlain and Chanel which is a great achievement as the two latter are giants with houndreds of perfumes in their lines compared to this little quality house.

Historiae - Hameau de la Reine

Picture:  Petit Trianon, parc de Versailles
Photo by  Urban, (cc) some rights reserved
 Wikimedia Commons

Hameau de la Reine is green floral created by Bertrand Duchaufour for the french house Historiae. The fragrance is inspired of Marie Antionette  and her "revolt" against the Versailles court ie  "Marie-Antoinette wants to have her own little village to enjoy the pleasures of the countryside with her children. Her aspiration for a rural paradise is somewhat a result of the Enlightenment. The Queen had her Hameau built in Versailles in 1783, going against the traditions of the old Royal Court".

Hameau de la Reine starts sparkling, light green with citrusy accents. The greeney is like fresh buds with a touch of tart tomatoleaves. The greenery is very natural smelling and soon Hameau de la Reine elicts the image and scent of a sunny midsummer meadow with its wild untamed grass, midsummerflowers and moisty earth  underneath. As Hameau de la Reine dries down, flowery notes gets more predominant and now we are transported from the meadow to the garden of a sweet cottage, just as in Marie Antionettes little artificial, rual, village. Wild roses, mock orange and robust peonies are present over the green backgrund that has become slightly darker and accentuated by woody notes when the fragrance reaches the balanced musky, basenotes.

Picture: Marie Antionette (1755-1793)
Painting of Louise Elisabeth Vigée  Le Brun (1755-1842)
1783

Light green, airy and delightful, Hameau de la Reine is a perfect fragrance for the coming midsummercelebrations. It's a casual fragrance but also suits for work as it can't offen anyone. The sillage is close and the longevity not for a whole day which is surprising as the others tested from the line so far, Orangerie du Roy and Bouquet du Trianon (see previous reviews) both have very good longevity. But Hameau de la Reine is that sort of light fragrance that could be reapplied during the day without causing olfactory disasters, i.e the rule that says: Never apply perfume on unclean skin. But there are some exceptions: Some light and fresh fragrances, preferably citrus, could be used even a day after the previous shower.

Those who like Chanel Cristalle Eau Verte and the new version of Balmain Vent Vert will probably also appreciate the delicate Hameau de la Reine.

Rating: 3+

Notes: Bergamot, blackcurrant bud, tomato leaf, fig leaf, rose, galbanum, peony, geranium, mock orange, ivy, vetiver, patchouli, white wood, musk, honey

Thanks to Fragrance & Art for the sample to test

Historiae - Bouquet du Trianon

Picture: Queen Marie Antoinette of France walking in the park of Trianon
with two of her children.Painting 1785 by Adolf Fredrik Werthmüller  (!751-1811)

Bouquet du Trianon is a floral woody fragrance created for Parfums Historiae by the famous nose Bertrand Duchaufour. Historiae are using a high precentage of natural fair traded esential oils in their fine fragrances.

When it comes to the inspiration to Bouquet du Trianon the story tells: "On August 15, 1774, King Louis XVI makes a wonderful gift to his wife Marie-Antoinette: "You love flowers, I have a bunch to offer you: the Petit Trianon." At Trianon Marie-Antoinette created a haven of intimacy that allowed her to escape the etiquette. She indulged her taste for countrystyle patterns and pastel colors."

Bouquet du Trianon starts with an airy and fizzy burst of greenry, some crisp flowers and most of all blackcurrant buds. The black currant is the mainplayer in the topnotes and is still clearly recognizable during the whole dry down. There is also a light, transparant, almost incenselike note that accompanying the blackcurrentnote, maybe the mint and beewax combined with the refined and smooth sandal- and cedarwood notes creates this effect. The flowers of the blend takes the centerstage somewhere in the middlenotes and are still present in the woody base. The dominating flower is a light, transparent and fizzy tubereuse, note meety and indolic, but wellbehaved and minimalistic. There is also something reminding of a pleasant, hard caramellnote. In the top- and in the beginning of the middlenotes Bouquet du Trianon seems to be a transparent version of another recent Bertrand Duchaufour creation dominated by blackcurrant: Enchanted Forest from The Vagabond Prince. It is easy to suspect that the two fragrances where created simultaneously a transparent one and a heavier one. Of the two I personally prefer Bouquet du Trianon as it blends much better with my skinchemistry. The critical Mr Parfumista complimented Bouquet du Trianon, thought there is some1980s vibe of the perfume and even found some similarities in its apperance and style, even if Bouquet du Trianon is lighter, with the great Montana Parfum d'Peau.Personally I also find some similarities with Grossmith Floral Veil and with the spirit of Golden Chypre from the same house.

Picture: Bouquet de Trianon Edt
Photo: PR Historiae (c)

Bouquet du Trianon is a perfect fragrance for officewearing, elegant and not disturbing. Despite it's transaprant character, the sillage is medium and the longevity is for almost 24h. To me Bouquet de Trianon is a very comfortable springscent, a real wristsniffer and I'm very enthusiastic about it.

Rating: 5

Notes: Lemon, bergamot, mandarin, galbanum, mint, freesia, blackcurrant bush leaf,  tuberose absolute, ylang ylang, beeswax absolute, rose, honeysuckle, vetiver, patchouli, amber, musk, sandalwood, cedarwood

Thanks to Fragrance & Art for the sample to test

Fragrances for the Royal Wedding

Of course I can't resist choosing fragrances for the happy couple. Taken into account that the groom is american and both lives in the Big Apple the choices of course are from american houses:

For Chris: The classic Aramis JHL in vintage version. Maybe not a fragrance for a summerday but I think it's a fragrance for Chris. He seems to be a epicurean who wouldn't say no to a good cigar and a fine cognac or two. Exactly the impressions I get from vintage JHL.

For the coming Mrs. O'Neill, the Royal Princess Madeleine: Of course one of my favourite flowers, Parfums Delrae Amoureuse. This happy but in the same time deep and velvety floral with the distinct note of cardamom and something just a bit naughty lurking underneeth is the perfect choiche for the not at all blushing bride. The Princess had a broken engagemant some years ago, is also a well known shopper and former partygirl, which is not popular in this nation of  Jante.

And at least, I can't help choosing also the fragrance for the ambitious mother in law Eva Maria O'Neill:  Le Parfum Couture Denis Durand for M.Micallef this stunning, dark animalic rose  is a dangerous fragrance which will suit this extravagant lady perfectly.

Fragrances of the week (23) 2013 - Royal wedding

Picture: H.R.H Princess Madeleine
with her coming husband Mr Christopher O'Neil
Photo: Brigitte Grenfeldt (c) Kungahuset.se, all right reserved  

This entry is a summery for international readers about todays event The perfumereflections will follow in the next entry.

Today there is a Royal wedding here in Stockholm as H.M King Carl XIV Gustaf youngest daugther H.R.H Princess Madeleine marries an american (also with british citizenship) sort of hedgefundtrader/analyst with a very ambitious austrian mother Eva Maria O'Neill (a cool lady with, it seems as, a well thought out strategy for herself and her three children, from three of her four marriages with wealthy men); Chris O'Neill.

The happy couple lives in New York where the Princess works for H.M Queen Silivas charity Foundation Childhood in the US branch.and they will continue their life in NY also after the wedding. Mr O'Neill will remain as a "Mr", stay with his american-british citizenship and go on with his business as usual. Overall this couple isn't so (at least what is communicated by the press, so who really knows), how to put it in a polite way, "in tune with the times" as, and therefore not so popular, as the coming Queen H.R.H Crownprincess Victoria and her husband H.R.H Prince Daniel who are (almost too) perfect, hardworking, nice and well shaped/trained (personally, they are my favourites, good examples to the nation). He was a PT and owner of a successful gym company before his royal carrier but have to leave his business to serve the country as the husband of the coming Queen.

At 16.00 today everyone in Sweden who like pomp and circumstances, beautiful dresses and sparkling jewels, will gather in front of the televisions and I'll of course be one of them :-)

Historiae - Orangerie du Roy

Picture: Louis XIV of France (1638-1715)
oil on canvas 1701 by Hyacinthe Rigaud (1659-1743)

Orangerie du Roy is an excellent orangeblossom dominated fragrances composed by Bertrand Duchaufour for the house of Historiae. This house creates fragrances inspired of the spirit of different eras of the french history.

Orangerie du Roy is inspired of the "Sun King" Louis XIV which adored the freshness of the orangeblossom. The King started a new era parfumevise directed to fresh, flowery perfumes, preferably orangeblossoms, after being overdosed with musk for many years.

Orange du Roy starts with a natural smelling, clean, orangeblossom, without musky or laudery details. The flower is contrasted by light, green herbal notes, somehow smooth and on the verge of soapy but the fragrance doesn't enter the soapy territory, just touches it. The orangeblossom is classic-fresh and recalls the scent of freshly pressed linen sheets in cool and shady room during a warm summerday in a luxury Mediterrian hotel. Even if Orange du Roy is linear or maybe circular in its structure it is not dull at all, it evokes images not just from Mediterrian hotels, I can also see the old Sun King in his warm whig, strolling in the gardens of Versailles a warm summerday. Orangerie du Roy is well balanced and made of fine ingredients of an impression number for a eaux styled fragrance. It's also reasonable priced ca EUR 25 for 15 ml/ ca EUR 49 for 50 ml.

Picture: Orangerie du Roy Edt
Photo: PR Historiae (c)

Orangerie du Roy is a real wristsniffer, perfect both for work and casual, especially during spring and summer. The longevity is very good for a an eaux styled edt, it lasts for more than a day.

I think those who sheer orangeblossoms as Prada Infusion Fleur d'Oranger and Hermès Cologne Orange Verte will also like Orangerie du Roy.

Rating: 4

Notes: Lemon, sweet orange, petit grain, basil, mint, bergamot, orangeblossom, ylang-ylang, honeysuckle, lavendel, thyme, mock orange, patchouli, vetiver, oakmoss, musk

Thanks to Fragrance & Art for the sample to test