Olivier Durbano - Black Tourmaline

Picture: Black Tourmaline by Olivier Durbano
Photo: PR Olivier Durbano (c)
This also applies to the pictures below

Black Tourmaline is another fascinating fragrance from the jewellery/perfumehouse Olivier Durbano. It's one of the earliest releases of the house and a part of the Bijoux de Pierres Pòemes which is fragrances inspired from different semi-precious stones.

Black Tourmaline starts heavy with a very  natural smelling tar-note. Soon Black Tourmaline smells like an Isle whisky, with its notes of tar and turf with a tad of smoke. The incense is interplaying well blended with the other notes. As Black Tourmaline dries down the tarry wood notes are softened by different dry spicy notes. There is also a hint of a quite rough leather but not as rough as in Mona di Orio Les Nombres d'Or Cuir which is the fragrance that I find most similar to Black Tourmaline, Cuir is almost a sort of turned up follower of  Black Tourmaline, even if Cuir also have the original smoky note that resembles grilled meat. Cuir is overall a stronger and heavier perfume. In the basenotes the dark and potent notes of Black Tourmaline are offsetted by an accord similar to the smell of the forest floor which provides the fragrance a sort of aronatic, fresh and clear expression. I guess this is achieved by the mossy and patchoulinotes interacting with the spices. To me Black Tourmaline is totally unsweet, opposed to MdO Cuir which have some resin sweetness. Sometimes I find such total lack of sweetness i a perfume as a relief.

Black Tourmaline is, just as MdO Cuir, a sort of "outdoor perfume" a fragrance which immediately gives me associations to the autumnal hunt in the swedish forests. The woody and damp smells from the forest, the smoke from the campfire when taking the lunchbreak, the smell from the well oiled riefles and smeared leathery guncases, the woolen, moleskin and leathery smells from the clothes. Black Tourmaline is a unisex fragrance not leaning either to the masculine or feminine side as opposite to MdO Cuir which I find very masculine. It's a perfume for daytime casual wear but could be worn to work if very sparingly applied, this is potent stuff. Sillage is medium and longevity for 12h+.

Black Tourmaline could  be appreciated by those who likes Amouage Interlude Man, Carner Barcelona Cuirs and Nasomatto Black Afgano.

Rating: 5

Notes: Cardamom, coriander, cumin, frankincense, pepper, smoked wood, oud, leather, precious woods, musk, amber, moss, patchouli

Thanks to Fragrance & Art for the sample to test

Olivier Durbano - Pink Quartz

Picture: An elephant carved in rose quartz
Wikimedia commons

Pink Quartz from Olivier Durbano Parfums de Pierre Poemes dedicated to semiprecious stones starts pink/grey velvety rosy paired with a sort of dry, opaque stoney note. In the topnotes, Pink Quartz is uplifting and a bit sparkling and the rose is very natural smelling and true to the real rose scent. When the fragrance dries down, a small trace of incense, spice, balsamic and musky notes deepens and darkens the unconventional rose/stone combo. This combo is the core of the fragrance and apperant in all stages of the dry down. In the basenotes there is also a tangy, slight fizzy note which I so appreciate in rosefragrances and which gives them a touch of chypre. There is also a subtle smoky nuance in the base and a very light sweetness from the resins. If Pink Quartz had a color it's definitly the almost opaque, pale pink/grey of the pink quartz mineral. If it was a fabric, it would be a pale, powdery, pink quartz colored velvet.

Pink Quartz is very intriguing, probably (as the notelist indicate) all the wellbalanced ingredients creates this impression. Pink Quartz is a true unisexfragrance and IMO it lending to the masculine side, here is a rose (without oud) for men. Despite this, it's pleasant also for a woman to wear, an  exception when it comes to pink roses as it is not as sweet as most pink fragrances.. Sillage is close and longevity for 12h+, an exellent choice for the early spring.

Picture: The tempting Pink Quartz
Photo: PR Olivier Durbano (c)

Pink Quartz could be appreciated by those who likes pink roses with some deept and without the conventional sweetness fragrances such as Parfum d'Empire Eau Suave even if that one is a tad fruity. To me pink Quartz is sort of the masculine counterpart of Eau Suave. Just as the latter (on of my alltime favorite pink roses) Pink Quartz is a little gem.

Rating: 5

Notes: Bergamot, pink grapefruit, olibanum, saffron, ginger; palmarosa, damask rose, palisander rosewood, rose, amber, patchouli, myrrh, benzoin, white musk

Thanks to Fragrance & Art for the sample 

Springtime fragrances

Soon they're here!
Photo: Mr Parfumista (c)

This year spring is very early, or at least the late winter is springlike some of the days. Of course there was almost no winter this year which is a great relief in everyday life. Anyway, this brings out this brings out the craving after springfragrances, such as:

Foin Fraîchement Coupé (Oriza L.Legrand): Starts fizzy, light green over dry haynotes, clover and herbs. Deepens in a sweeter, almost anise-liqueur-like light musky note. Comnines rual, green freshness with a delicate, sweet. light gourmand accord. Excellent longevity, I can smell whiffs from this fragrance from the dept of my skin days after I worn FFC.

Le Parfum  L'Eau Couture (Elie Saab): From the very moment when the first molecules hit my skin when testing LPL'EC I knew this is a must have. Starts bright and springlike, with an accord reminiscent of an almondy and not so cold Lily of the Valley, even if the notelist says magnolia. The classical Kurkdjian/Saab orangeblossom accord is also there but not as highlighted as in the original Le Perfum. A light vanilla complements the flowers perfectly. This is a reminder: Never underestimate "the mainstreams". Many of them are much better than all of the anxious complicated fragrances which are too many in the tide of nicherealeases.

Forever and Ever Dior (Christian Dior): This is a fragrance which I have neglected to try for a decade because of its silly name. It was displayed when I passed through a perfumestore and I tested it and fell immadiately for its light, bright, pink, rosy and crisp flowery charm. An elegant and very wearable springfragrance for ladies of all ages.

L'Heure Bleue (Guerlain): I think I mentioned L'HB in my list of springfragrances last year too. Every late winter/early spring I long a bit extra for this magic velvet dark blue, dusty, iris-neroli-heliotrophe-tonka elixir in all of its concentrations. L'HB is a fragrance which never loses its interest and which I appreciate even better the more I sniff from the flood of new fragrances.

Onda (Vero Profumo): Like taking a walk over the fields when the snow just has melted. The smell of earth, mud and the grass of yesteryear with light animalic whiffs from the horses on the barnyard nearby. (Onda Extrait & Voile d'Extrait).

Which fragrances do you perfer for spring?

L'Artisan Parfumeur - Quick impressions of some classic L'AP:s 2(2)

More impressions from my random L'Artisan samples sniffing. Today from the lighter fragrances department:

Picture: Thé pour un Été,
refreshing, retro jasmine
Photo: PR L'Artisan Parfumeur (c)

Coeur de Vetiver Sacré: A creation of Karine Vinchon Spehner from as late as 2010 which seems to have flopped as it would be discontinued if I have understand i right. Despite the name that indicate this is a vetiver dominated fragrance, the said note is discrete and interacting in a subtle and wellbalanced way with incense, spices, light fruity and woody notes. Calming and relaxing and a bit misunderstod IMO.

Thé pour un Été: A creation from the era of fresh perfumes, the 90s (1995), by Olivia Giacobetti. A refreshing jasminetea blend with some lemony sparkle and contrasted with a very light spicyness. TpuE has a certain retro feeling, when I smell it I immediately come to think of Catherine Deneuve in the movie Indochine from the colonial French Indochina. TpuE is gentler and doesn't get the smell as much of wet wipe that is common in many tea fragrances form the era, for example the iconic Bulgari Eau Parfumeé au Thé Vert. TpuE seems also to be a gentler forerunner to another jasmine-tea-spicy fragrance Dior Escale à Pondichéry.

Verte Violette: A bit strange 2001 violet creation by Anne Flipo. Starts smelling like Yves Saint Laurent Paris and after a while a note of water melon appears and adds an aquatic but also vegetal impression.When it alls calms down, a beautiful, sleek, violet flower note remains. In the same group as Annick Goutal La Violette which is (despite the name) greener and with a crispy candy feeling and Parfums de Nicolaï Violette in Love which is more fruity/sparkling.

To summon up: In the flood of all new releases, don't forget to look back and revaluate the old gems from the fragrance houses which has stood the test of time.

L'Artisan Parfumeur - Quick impressions of some classic L'AP:s 1(2)

Picture: One of the L'Artisans,
Drôle de Rose
Photo: PR L'Artisan Parfumeur (c)

After becoming disappointed with the new sub-line L'Explosions de Emotions from the old (one of the very first niche-houses, only Diptyque was earlier) reaible L'Artisan Parfumeur, I had to test/re-test some of my samples from the house to get my confidence back. Below some quick impressions of some classic L'Artisans from different genres.

Bois Farine: A 2003 Jean-Claude Ellena inspiration from an unusual tree in the Caribbian. Sweet, powdery, like flour, woody with some spices. The opening smells like peanutbutter. Delicious, mouthwatering and comforting (if properly dosed) to wear cold and grey days. Unfortunately Bois Farine now is discontinued, so it's time to stock up.

Voleur de Roses: Created by Michel Almairac as early as 1993 and it's a forerunner to the whole dark, earthy, moisty, dark, red rose and patchouli that I like so much. VdR is somehow the unpolished gem (ruby) of the genre the patchouli is dirtier and moistier, the red rose is darker and bolder than in the more polished followers such as Guerlain Rose Barbare, Juliette has A Gun Lady Vengeance, and Frederic Malle Portrait of a Lady.

Drôle de Rose: A powdery, cosmetic, lemony, cherful, sunny take on the combined violet and pink rose theme, created by Olivia Giacobetti in 1996. Also a forerunner to fragrances such as Frederic Malle Lipstick Rose which more formal in appearance and with more pronounced violet than in DdR and Etat Libre d'Orange Putain des Palaces which is a dramatic, dark and dirty variation of violet-rose.

To be continued in the next post.

L'Artisan Parfumeur - Explosions D'Émotions 2 (2)

Today impressions of the two remaining Explosions D'Emotions.

Picture: Skin on Skin
Photo: PR L'Artisan Parfumeur (c)

Skin on Skin "a wanton embrace" also for this fragrance the marketing blurb is fitting. Skin on Skin embraces you with an obtrusive, chemical candynote which interplays with a sweet irisnote, passably dimmed with soft saffron somewhere in the middle of the fragrance and moved to a note similar to hairspray. A musky, smoky (probably the Whisky mentioned among the ingredients) suede is lurking in the background, contrasting the hairspray and the sweet  notes. As the fragrance is strong and shrill, one should be careful with application. Skin on Skin seems almost as sort of an experimental mockery of a great iris-suede as Histoires de Parfums Tubereuse 1 Capricieuse which, despite its name, foremost is an iris-suede with gourmand accords of cacao and saffron. Skin on Skin could also be one of the sketches to Duchaufours own L'Artisan creation Traverseé du Bosphore. 

Picture: Amour Nocturne
Photo: PR L'Artisan Parfumeur (c)

Amour Nocturne "the intimacy of the night" Amour Nocturne shocks with a loud and garish chemical note of cocos + milk chocolate like a liquid Bounty Bar. As it dries down to the middle- and basenotes, the scent softens and a milky accord infused  with some sweet candynotes contrasted with a dry burned (probably hints of the gunpowdernote), plastic slight flowery note (as in Parfumerie Generale Psychotrope but I like the latter much better)  dominates the fragrance until it's fading out about 24h after the initial application. After going through the jarring top notes, Amour Nocturne despite or maybe because of the burned, plastic  is quite pleasant and comforting to wear in a small dose. Just as with Skin on Skin: Beware to overapply this!

To sum it all up: Probably I'm too old school and doesen't understand anything from this avantgarde(?) creating: Probably I also have a too ironic mind because when sampling Explosions D'Émotions I almost suspect Bertrand Duchaufour for making fun of his public and the current exalting of niche, taking it too serious. After all, these fragrances are more expensive than the IMO overall much better L'Artisans in the regular line. Seems like he's taking the concept a famous name (the perfumer and brand) + nice bottle + an OK juice + some "exclusive" marketing chit-chat to the extreme. An interesting concept and the fragrances as such is very well worth sampling (thanks to Fragrance & Art for the samples) as a reflection of the state of niche today or just to find an unconventional and (in some phases of them if applied sparingly) comforting fragrance.

L'Artisan Parfumeur - Explosions D'Émotions 1(2)

The Expolsions D'Émotions trio are fragrances signed Bertrand Duchaufour for L'Artisan Parfumeur that must have been created with the intention to provoke the smell of sense. The fragrances are wellcrafted and unconventional, and seems to be almost a sort of experimental fragrances ie nothing for daily wearing but something to stuck in and analyze a day staying at home. Explosions D'Émotions are bottled in a new stylish design of the L'Artisan bottles.

Picture: Déliria
Photo: PR L'Artisan Parfumeur (c)

Déliria "exhilaration of the senses" according to L'Artisan marketing blurb and that's true. Déliria starts with a note close to sweet pinapple (BD inspired from Jean Patou Colony?)contrasted with the dry, dirty, unaired ambernote that is present in one of my favorite ambers, L'Ombre Fauve from Parfumerie Générale. After the contrasting opening, Déliria proceeds in a bubblegum note close to the classical pink, swedish bubblegum namned Bugg. Then the sweet notes are more nondescript, its more of a candystore and later the fragrance softens, like the note of candyfloss. The candy notes are darker, deeper and better blended then the regular sweet candy fragrance, a more serious interpretation of this pink-sugary genre.

To be continued in the next post.....