måndag 30 september 2013

Frapin - Paradis Perdu

Photo: View of the World's Fair, Paris, France,
engraving 1889, Wikimedia Commons
Paradis Perdu the latest fragrance from the also in perfumery so successful venerable house of brandy, Frapin, is created by perfumer Amélie Bourgeois.Paradis Perdu is inspired of the temporary iron and glass palaces of the Paris World Fair 1889. The pavilions, showing their iron lacework foundations, celebrated the rise of industry and the "Art Nouveau". The Eiffel Tower was completed to the fair and its entrance arch. From this time the house of Frapin has an unique storehouse created by the master of ironconstructions, Gustave Eiffel.

Paradis Perdu opens with green, juicy notes, like long blades of grass swaying in the wind an early, warm and sunny autumnday. A distinguishable and natural grapefruitnote are present during the the first part of Paradis Perdu, a non-catpie sulfatic grapefruitnote, something that I have positivly experienced in some fragances lately. Maybe there has been some developement of the grapefruitformula lately as the grapefruit is much more pleasing today than some years ago. Later on Paradis Perdu highlights dry hayish notes, contrased with fuller notes of slightly fermented grapes, after all, Frapin is a cognacmanufactur. In this stage the overall impression of Paradis Perdu is similar to Jour d'Hermès. An almost fizzy galbanum and a bright vetiver are also evident. The best part of Paradis Perdu in my opinion is the contrasting, dark, smoky, tarry woody, mossy, resinbase with some traces of wine, a base that reminds me of a much less bomastic and smoother version of the base of Copper Skies by Kerosene. In the base, darker and lighter passages interactes, the lighter ones, dominated by a fresh vetiver. Reaching the basenotes, is like  experience the chilly and crisp autumnevening just when the sun has went down.

To me Paradis Perdu the first 2/3 are light considering it's a Frapin fragrance. The basenotes are deeper, fuller and more Frapin-styled. Paradis Perdu perfectly pictures an early autumn day, from the crisp sunny beginning, over the warmer, sunnier, fuller and sweeter middle of the day to the chilly and fast darkening evening. Two days after my full wearing day of Paradis Perdu I put on the same jacket as I worn the testingday and smelled something very familiar: Ivoire from Pierre Balmain. On fabric Paradis Perdu has transformed to a more homogeneous fragrance than I experienced it on skin.

Picture: Paradis Perdu
Photo: PR Frapin

Sillage is close and longevity 12h+. Perfect for autumn but will also be good for spring, especially the earlier stages of Paradis Perdu. Paradis Perdu catches (like some other perfumes* the latest year) parts from different parfumes/parfumstyles and could therefore please a wide range of perfumelikings.

Rating: 4

NotesBergamot, grapefruit, citron, mandarin, basil, spinach, vine, ravensara, galbanum, elemi, paradisamide, vetiver, hay, cedarwood, rosewood, labdanum, precious woods, moss, musk

*) Kerosene Copper Skies was the first fragrance obvious with this concept (to my nose), Aedes de Venustas Iris Nazarena is another one.

2 kommentarer:

  1. Denna måste provas!
    Jag älskar doften av hö och älskar grape, Jour d'Hermes är ju en storfavorit, så denna verkar ha allt man önkskar sig :)
    /Eva S.

  2. Klart testvärd även om det är en lite spretig doft, den har inslag av så många andra sinsemellan olika parfymer, vilket samtidigt är intressant.