Top summerfragrances 2014

Picture: One of the Small Towers on Frederiksborg Castle, 
ca 1834-35
Painting by Christen Köbke (1810-1848)
Wikipedia commons

The summer up here in the North was cold from late May and whole June. In July thankfully the warmth appeared and is still present in August with an intensive heat, a very warm, humid weather around 30 degree Celsius. This reflects the list of what I've liked in particular this summer ie very different styles.

Un Bateau pour Capri (Eau d'Italie): This dark, purple, velvety, aldehydic, fruity, flowery creation blooms wonderful  in the ot humid weather. My top find from my sample testing for the blog this summer.

Montecristo (Masque): During the cold first part, the spicy, dirty, animalic Montecristo was a comforting and warming choice. A very big fragrance in the old YSL Opium style. Also tried it when it was quite warm, 20-25 degree Celsius, and its sillage was tremendous and I got positive reactions (belive it or not :-)

Rosamunda (Laboratorio Olfattive) and Rose Anonyme (Atelier Cologne): Both refreshing fragrances in the cool, pink rose-patchouli-oud genre. Very close to each other where Rosamunda is a tad sweeter in its earlier stages and Rose Anonyme a bit woodier. When they have dried down on their scentstrips, I can't tell them apart. Both these fragrances smells much better when worn in the fresh sea-air of the archipelago compared with when worn in the city. Both fragrances shows more notes and another dept by the sea.

Mistral Patchouli (Atelier Cologne): A lighter, daytime, casual, herbal version of the discontinued Dior Midnight Poison. Almost the same, stripped down, dark, patchoulinote as in Midnight Poison. Fresh in a pleasant, non-laudery way. The grapefruit-anice-patchouli is suprinsingly a very good match.

Philosykos (Diptyque): This creamy, woody, fig is so refreshing and easy to wear. Was my staple during a vacation on Ibiza in June. Philosykos is the mediterranean for me, especially Greece of course, but it mixed suberb with the dry, pine infused Ibizian air.

Ciel (Amouage). I like the old Amouages best, the newer are not as "grand". Even if good fragrances, the newwr seems a bit anxious and flattened, afraid not to please an extended audience compared to some years ago. Ciel is a symphony of watery, white flowers which projects beautiful in warm and sunny weather. Easy to wear, a happy and elegant fragrance

Eau de Cologne d'Orange Verte (Hermès): A summerwardrobe staple, the most versatile of them all. Also the current formula is very good, more emphasis on the oranges than in the old (even better) mossy grounded one.

Horizon (Oriza L.Legrand): I love patch in the summer, the earthy, herbal smell is cool and refreshing. Even if Horizon is a patchouli grounded in honey and amber it developes surprisingly well in hot temparature. A beautiful, natural smelling tobbacco note is particularly present in warm tempratures.

Relique D'Amour (Oriza L.Legrand): A cold, light flowery, pine incense which performs excellent in hot and humid weather. It's refreshing and not as dark, bold and dense as for example the incensestandard Comme des Gracons Avignon which is too much for me in the summer.

Oriza L.Legrand -Vétiver Royal Bourbon

Picture: The great vetiver  Vétiver Royal Bourbon
Photo: PR Oriza L.Legrand (c) 

Vétiver Royal Bourbon is another sucessful reinterpretation/reconstruction of an old (1914) Oriza L.Legrand formula. As usual conducted by Oriza the co-owner, perfumer Hugo Lambert.

Vétiver Royal Bourbon starts with uplifting notes who complements the gingerfacet of vetiver and the impression is fizzy, sparkling almost gauzy. The imagined color is bright green. As Vétiver Royal Bourbon dries down, the darker, almost juicy-rooty-grassy aspects steps forward and the imagined color is medium green-grey in a velvet texture. A smooth, natural dry, spicyness also appears. When reaching the basenotes the multifacetted vetiverblend finds its stable foundation a slight smoky, boozy  base. Here an ambery brown has joined the imagined color of the fragrance.

Vétiver Royal Bourbon is an extraordinary vetiver. It's dense but not in a heavy or cloying way and it smells very natural as I imagine oils of the highest qualties of the vetiver grass are smelling. As mainingredient for the fragrance the finest and rarest vetiver from Réunion Island (Isle de Bourbon) also is used. Compared to the gold standard true vetiver "solivetiver" Les Nez Turtle Vetiver Excercise 1 by Isabelle Doyen, Vétiver Royal Bourbon is in the same leauge. Comparing the two, Vétiver Royal Bourbon is a more polite and civilized take on the natural smelleing vetiver,  comfortable chit-cating in the royal salons whereas Turtle is the the noble savage  the entering from the huge forest. Just as Turtle, Vétiver Royal Bourbon isn't as diluted as the bulk of vetiverfragrances avaible today, it feels like there are a higher concentration of the vetiveroil in both these excellent fragrances. Vétiver Royal Bourbon is a vetiver for lovers of the real thing, not the common, diluted versions of the note. A true gem.

Picture: The perfect match for Vétiver Royal Bourbon, 
the newly installed Bourbon (Borbón) king ,
HM King Felipe VI of Spain.
Photo borrowed from the net, photograph unknown. 

The review is based on wearings both by me and the vetiverconnoisseur Mr Parfumista, whos top vetiverfragrance of all times is the above mentioned Turtle Vetiver Excercise 1. Despite the similarities with the Turtle, Mr Parfumista is strongly considering adding Vétiver Royal Bourbon to his collection and that´'s a good rating as he very rarely buys a full bottle, the latest was by the best Oriza of them all, Chypre Mousse. Vétiver Royal Bourbon is classified as unisex and it is, even if I think it's leaning to the masculine side. Beeing a vetiver, the fragrance is exceptionally suitable for dressed up occassions but is also appropriate for office or as casual-chic. The longevity is good, about a day and the sillage is pleasantly present.

Rating: 5

Notes: Peppermint, thyme, vetiver, labdanum, iris, sandalwood, juniper, leather, styrax, immortelle, tobacco, oakmoss

Editions de Parfums Frederic Malle - Eau de Magnolia

Picture: Magnolia × wieseneri 
Photo: WibblyWibby (cc) Wikipedia commons,
some rights reserved

Almost everything is already said about the beautiful latest Malle release, Eau de Magnolia a creation of Carlos Beniam and I has little to add to the praise. Eau de Magnolia is inspired from a draft to an airy magnoliaperfume, created by the great Edomond Roudnitska. But in those days, we are talkning the late 19th century, the technology in pefumery (for example head-space), didn't left the same opportunities as today and Roudnitska had to set his magnolia idea aside.

To me Eau de Magnolia is quite linear but with some characteristics in different parts. It's starts crispy-airy, a bit chilly and I instantly think of the Roudnitska masterpiece Dior Diorissimo. Further in the drydown Eau de Magnolia becomes a bit warmer and turns from the initial cripsy white impression to a pale, yellow note with a light honeyed almost beerlike (malt) note. The light airy flowers are still there but the fragrance becomes sort of deeper in texture. Eau de Magnolia is more about at white and pale crispy flowers bouquet than of a soliflore of the "note de jour"; magnolia. There is also an almost bitter, dense citrusnote discretly following through the top and middleaccords, probably the bergamot. In the later stages I smell a wellbalanced vetiver and some moisty mossy notes. There is also the high, bright, airy, chemical note, typical for contemporary fragrances, present in both niche and mainstream releases. Besides Diorissimo fragrances such as Elie Saab L'Eau de Couture (even if emphasising other flowers and sweeter, the texture is similar fresh, airy and a bit chemical) and Serge Lutens La Vierge de Fer (even if this one is more formal and has an almost metallic vibe).

Picture: Eau de Magnolia
Photo: PR Editions de Parfums Frederic Malle (c)

Eau de Magnolia is a very feminine fragrance and it makes me think of cool, blonde, natural beauties such as Ingrid Bergman or a bit more styled ones as Grace Kelly/Princess Grace. The fragrance is very versatile, easy to like (I guess it will be a bestseller, a new Carnal Flower) and could be worn for any daytime occasion. Longevity is good for such a light fragrance, for more than a day liberally applied. Eau de Magnolia is relaxing, undemanding and just beautiful, something to wear when you not need to be challenged from your fragrance, just smell good. The unchallening nature of Eau de Magnolia is also the only drawback with the fragrance, just smelling divine is sometimes a bit booring.

Rating: 4

Notes: Bergamot, magnolia, vetiver, patchouli, cedar, moss, amber

Annick Goutal - Un Matin d'Orage EDP

Picture: Gardenia flower from the gardens at Monticello
Photo: Queerbubbles (cc) Wikipedia Commons, 
some rights reserved

Un Matin d'Orage EDP is a reinterpretation of the 2009 Un Matin d'Orage EDT (swe) by Annick Goutal. As with most current Goutals, the perfumer is Isabelle Doyen together with the late Annicks daughter, Camille Goutal.

Un Matin d'Orage EDP is a character of it's own, it's an ozonic, crispy white flowerfragrance, gardenia, tubereuse and magnolia are the mainplayers. This is not the usual interpretation of the theme  the flowers, are somehow paper-dry in their structure but in the same time they express an ozonic, slight moisty character, like the texture and light vanillic smell of old books. Un Matin d'Orage EDP is quite linear even if the flowers is dominating in the beginning and are balanced in a smooth woody-light vanillic accord, probably the sandalwood, in the base.

The main difference compared to the EDT to my nose is that the EDP is more flowery and a tad sweeter from the warm woody vanillic note. The EDT on the other hand is more radiant, bubbly, fizzy and it's maincharacteristic is a peppery note that follows through the whole dry down. If applying the EDT to liberal, the peppery note takes over and sort of unbalances the fragrance. Overall the EDT is woody in character, with support of the gardenia/tubereuse, where the EDP emphasises the flowers and the pleasant sweetness described above, the pepper playing just a discrete, supporting role.

Picture: Un Matin d'Orage EDT & EDP
Photo: PR Annick Goutal (c)

When comparing the concentrations, the EDP is a safer fragrance, closer to skin, more wellbehaved and easier to wear than the more radiant EDT and I suspect the EDP will be the best selling (and a bestseller!) concentration of the two. The EDT is more of a complicated, dominating and challenging personality which has to be handled with care. The lastingpower is for more than a day for both Un Matin d'Orage concentrations and both are perfect for summerdays, both for casual and for work.

Rating: 5 (EDP), 4 (EDT)

Notes: Tubereuse, magnolia, vanilla, myrrh, guaiac wood (and I suspect that many of the notes from the EDT version is still present as for example gardenia and a small dose of the fizzy, peppery ginger.

Eau d'Italie - Un Bateau pour Capri

Picture: Overlooking Capri harbor from
the rotunda in Villa San Michele
Photo: Morn the Gorn (cc) Wikipedia Commons.,
some rights reserved

Un Bateau pour Capri is an Eau d'Italie fragrance inspired from the neighbourhood of Positano, the beautiful Island Capri. The fragrance is composed by Jacques Cavallier. When it comes to Capri I remember, many years ago, I almost missed the boat from Capri, strolling around in Villa San Michele, built around the turn of the century 1900, for the highsociety physican and philantrophe Axel Munthe, (sometimes called "the swedish Rasputin" as the gossip said he almost spellbound the swedish Queen consort Victoria at the time. Anyway, they were friends and had some Capri-projects about taking care of animals together.) When I was aware of that the bus had left for the harbour, I had the great luck to find a cab up there on the mountin and after a fast ride I caught the ferry and could re-join to our group just in the last minute. Now, over to the Capri inspired fragrance: Un Bateau pour Capri.

Un Bateau pour Capri starts with an aldehydic, fruity, fizz with an almost hairspray like tonality. There is also a cold, watery flowercomponent supporting, probably the peony brightened up with the freesia. Soon also a tart note appears, creating a contrasting, sort of deep freshness of the fragrance. The tart accord is following through the whole fragrance and deepens when it mingles with the woody-musky base. This tart fruity/woody aldehydic note is prounonced and what makes UBpC characteristic. The note is almost off-putting but in the same time somehow pleasant and this is what makes UBpC interesting. In the drydown, UBpC is much more floral, a dark, dense, rose-jasmine accord and despite a distinct cedarnote, the fragrance is very feminine in its expression. The rose-cedar accord remins me of my favorite Eau d'Italie fragrance so far, Pasteum Rose, which is morse unisex in style than UBpC. The aldehydic fizz is present even in the base but in dark and slight soapy way. When wearing Un Bateau pour Capri, besides Pasteum Rose, two fragrances especially  comes to my mind: Esprit d'Oscar by Oscar de la Renta for the aldehydes in the first stages of the perfume and Perles de Lalique for the cedar-rose combo, even if the cedarnote is much more prominent in the latter.

Picture: Map of Capri. Uses terrain data from SRTM3
Author: modified by Morn the Gorn (cc)
 Wikipedia Commons, some rights reserved

Despite the aldehydes and the darkness of Un Bateau pour Capri, the fragrance is refreshing worn a warm summerday, maybe in the restful shadows from the threes in the garden of Villa San Michele. If Un Bateau pour Capri had a color it would be dark blue shifting in purple as the Mediterrean sky at
dusk. Un Bateau pour Capri is casual chic in style, appropriate for a holiday on Capri and the Amalficoast. Sillage and longevity are both outstanding for this fragrance, it lasts for more than 24 hours. UBpC is also approved by Mr Parfumista who complemented it in different phases of the dry down, such statement is quite rare taking in account the many fragrances I test.

Rating: 5

Notes: Peony, freesia, peach, rose, jasmine, heliotrophe, musc, wood, cedar

Peonies

Picture Peonia Suffruticosa
Photo: Aberlin (cc) Wikipedia commons,
some rights reserved

Now it's the time when the wonderful., lush peonies starting to bloom and as a Perfumista I start longing for wearing the note. Peony is not a common soliflore in the world of fragrance and when it appears as the leading part it's almost always (just as most soliflores) backed up with another floral note, most common is rose. Below some peonies I've tested and like very much:

Picture: Vert Pivoine
Photo: PR Histoires de Parfums (c)

Vert Pivoine (Histoires de Parfums): Starts fizzy, dry, green and almost light peppery. Dries down to a lush, fullblown, almost in the first phase of withering, musky peony, supported by a rose and a contrasting  tart wellbalanced, berrynote. There is also an earthy note in the late drydown. Smells very good and feminine.

Picture: Peoneve
Photo: PR Penhaligon's (c)

Peoneve (Penhaligons): Another great smelling, feminine, lush peony, also supported by rose but the blend smells like lily of the valley is the second player. It's the lush peony contrasted with the green tangy, almost poisonous tartness of the LOTV.

Picture: Rose Pivoine
Photo: PR Parfums de Nicolaï (c)

Rose Pivoine (Parfums de Nicolaï): Here the rose and peony are acting on more equal themes, the peony doesn't take over the composition. The chamomille freshens and cooling the mix and the fruits smoothen the edges of the protagonists. A lighter and airier composition than the previous two.

Picture: Quel Amour
Photo: PR Annick Goutal (c)

Quel Amour! (Annick Goutal): Uplifting, sparkling, bubbly, slight green, peony/rose smoothed by peach and berries There is also a something contrasting, tart in the fragrance which creates a fresh and almost chilly feeling. Quel Amour is happiness in a bottle. The same lighter style as Rose Pivoine.

Eau d'Italie - Graine de Joie

Picture: HRH Prince Carl Philip and his fiancee Sofia Hellqvist
on their engagementday June 27th, 2014.
Photo: Expressen Sven Lindvall (c)

Graine de Joie from italian nichehouse Eau d'Italie is a red berry boost raised to ten. Graine de Joie is created by Daphne Bugey. The fragrance is said to be inspired by the idea of love and according to the marketing blurb "we have decided to celebrate love, and to create a fragrance that conjures up the irresistible light-headedness of when you fall in love." Graine de Joie would have been the olfactory background for the great royal news of last Friday: The handsome HRH Prince Carl Philips engagement with his charity working, from a small village, middle class background, girlfriend Sofia Hellqvist. Another Cinderella story following the one of HRH Prince Daniel. The color and expression of Graine de Joie is exactly the red color of Sofias elegant dress.

Graine de Joie starts very uplifting with ripe redberries and pomegranate, red, lush and mouthwatering delicious. The berry-pomegranate combo goes through the whole fragrance supported by a fizzy freesia who is contrasting and lighten up the fragrance. There are also a contrasting, tart note, maybe some redcurrant leaves is added to the mix or the note just picturing the tartness present in the berries themselves. Not unexpected, the berry-bowl is grounded in a well balanced musky, light woody base.

Picture: The sunny spirit of Graine de Joie
Photo: PR Eau d'Italie (c)

Beside the royal engagement, Graine de Joie gives me the image of a bowl with ripe red berries and fruits avaible when relaxing in a sunny mediterrian garden in the peak of the summer.Graine de Joie is a perfect fragrance for the season, something that departs from the usual fresh aquatics or citrus scents. The fragrance is much richer than the usual sommerfragrances and despite its full blown berry sweetness, it doesn't becames sickly sweet or smells chemical. It's an uncomplicated happy and easy to wear fragrance, appropriate both for work or casual wearing. Graine de Joie is a good composition in the floral-fruity genre. I find it more ordinary in style than the intriguing and demanding earlier Eau d'Italie compositions such as the burnt, spicy, woody Bois d'Ombrie, the green, rough, woody Sienne l'Hiver, the dramatic rose Pasteum Rose and the special cologne styled first fragrance Eau d'Italie which I personally prefer.

When it comes to similar fragrances, first of all Robert Piguet Jeunesse comes to my mind, though that one has more dept and contrasting non-berry/fruity notes. Also the fragrances in By Kilians subline In the Garden of Good and Evil are in the same style, reviews of In the City of Sin, Good Girl Gone Bad, Forbidden Games and Playing with The Devil.

Rating: 4

Notes: Red berries, red currant, pomegranate, freesia, flowers, praline, musk,cedar