torsdag 6 december 2012

Histoires de Parfums – L’Olympia Music Hall

Picture: L'Olympia, Paris 9em, France,
Photo: KoS, ref PA00089012, (cc) Wikimedia commons,
some rights reserved
L’Olympia Music Hall is another temptating Histoires de Parfumes fragrance (this house ruins me :-) created by the house founder and owner Gérald Ghislain. As in 1889 Moulin Rouge the parfumer is inspired of a parisan musical establishment: L’Olympia Music Hall.

L’Olympia Music Hall starts up with a beautiful, sparkling leather accord where the citrus notes are glimmering and makes the very true leathernote uplifting and captivating. The leathery note continues to be present during the whole dry down of L’Olympia even if teken a step to the background in the later parts of the fragrance. There is the scent of fine leather, as from the inside of an elegant handbag, an impression that deepens when the flowers and a quickly glimpsed accord of powder, occours. There is also a distinct, cold flowery, almost, green note that is present from early on and which also remains in the basenotes. Probably this note appers from the crisp “watery” flowers of lilac and freesia that is listed in the middlenotes. This accord, together with some of the peppery peony accord of Histoires de Parfums Vert Pivoine,   counterbalances the wellblended classical rose-saffron accord and adds additional sparkle to L’Olympia even in the later stages of its dry down. When L’Olympia reaches the basenotes the spicy aspect of saffron is reinforced but counterbalanced with dark patchouli and also with sweet, dark notes as licorice. There is also a  hint of a mouthwatering berrynote present. The leather in this part is tuned down and almost like velvet in texture ie like suede. A pleasant but distinctive musk is finally linking the basenotes together.  The musky, flowery facets that still remains in the base, reminds me somehow of the musky basenotes of the Vert Pivoine mentioned above. Also when L’Olympia lingers for multiple hours in the basenotes, it’s a beautiful fragrance, even if not as original as the opening with the leather accord which is so true to the real scent of leather. To me L’Olympia appears to be a successful mix of a good feminine leather fragrance as for example Cuir de Lancome and a dark, spicy, rose patchouli as for example Midnight Oud by Juliette Has A Gun and Agent Provocateur (by Agent Provocateur).

If L’Olympia embodies the establishment as well as 1889 Moulin Rouge captured the fin d’siecle mood of that establishment, I’don’t know as I don’t know anything about L’Olympia. But I trust the perfumer and assume there were rumbling and colorful shows going on there as very much is going on in this fascinating, distinctive and wellcrafted perfume.

L’Olympia is a perfume of high volume which is acting out its energy underscored by all the interesting notes. It’s appearance reminds me vaugly of the aura of the grand perfumes of the 80s, which is a pleasant discovery in the stream of beautiful, wellbehaved, subudued, powdery, musky, florals we are used to at the present. Under these conditions there is necessary to apply L’Olympia sparingly, a spritz too much and it becomes overpowering. L’Olympia is perfect for evening wear but could also be worn daytime during the winter. Great sillage and stayingpower.


Rating: 4 

Notes: Mandarin, lemon, bergamot, orange, pink berries, black pepper, saffron, rose, freesia, lilac, peony, blond wood, patchouli, frankincense, styrax, suede, vanilla, chocolate, licorice, white musk

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